window.__NUXT__=(function(a,b,c,d,e,f,g,h,i,j,k,l,m,n,o,p,q,r,s,t,u,v,w,x,y,z,A,B,C,D,E,F,G,H,I,J,K,L,M,N,O,P,Q,R,S,T,U,V,W,X,Y,Z,_,$,aa,ab,ac,ad,ae,af,ag,ah,ai,aj,ak,al,am,an,ao,ap,aq,ar,as,at,au,av,aw,ax,ay,az,aA,aB,aC,aD,aE,aF,aG,aH,aI,aJ,aK,aL,aM,aN,aO,aP,aQ,aR,aS,aT,aU,aV,aW,aX,aY,aZ,a_,a$,ba,bb,bc,bd,be,bf,bg,bh,bi,bj,bk,bl,bm,bn,bo,bp,bq,br,bs,bt,bu,bv,bw,bx,by,bz,bA,bB,bC,bD,bE,bF,bG,bH,bI,bJ,bK,bL,bM,bN,bO,bP,bQ,bR,bS,bT,bU,bV,bW,bX,bY,bZ,b_,b$,ca,cb,cc,cd,ce,cf,cg,ch,ci,cj,ck,cl,cm,cn,co,cp,cq,cr,cs,ct,cu,cv,cw,cx,cy,cz,cA,cB,cC,cD,cE,cF,cG,cH,cI,cJ,cK,cL,cM,cN,cO,cP,cQ,cR,cS,cT,cU,cV,cW,cX,cY,cZ,c_,c$,da,db,dc,dd,de,df,dg,dh,di,dj,dk,dl,dm,dn,do0,dp,dq,dr,ds,dt,du,dv,dw,dx,dy,dz,dA,dB,dC,dD,dE,dF,dG,dH,dI,dJ,dK,dL,dM,dN,dO,dP,dQ,dR,dS,dT,dU,dV,dW,dX,dY,dZ,d_,d$,ea,eb,ec,ed,ee,ef,eg){return {staticAssetsBase:"\u002F_nuxt\u002Fstatic\u002F1693651933",layout:"default",error:ce,state:{projects:[{id:l,title:"Ancestors",slug:"ancestors",year:aO,status:ak,type:ad,quote:"Smoke black, ivory black, gas black, wood pitch, bitumen, paraffin, petroleum, soot, glass black, carbon black, activated carbon, coal, lignite, anthra- cite, peat, carbon fibre, graphite, graphene, crude oil, petroleum polymers, kerosene, and petrol.",description:"Contemplate the mysterious beauty of what we commonly call fossil fuels but which we might call, in reality, our ancestors. Facing us, in our presence, like a dark mirror, we discover their iridescence, nuances, a rare musical echo. A view of the world and geological time against the ravenous greed of capitalism that vaporises them\u002Fus. The extensive use of fossil fuels, of beings that were once alive and could be considered our ancestors, places us at a major crossroads in the 21st century: we devour the remains of the past and stifle the possibilities of life in the present and the future. In this particular black monochrome, we can read a story of historical materialism and at the same time of historical phantasmagoria. Eco-memory based on the ruins of fossils; our fossils dissolved in puffs of smoke. Time becomes stratified again, it turns into soot, a metaphor for progress in its darkest moment.",relatedWorks:"2\u002F8\u002F15\u002F26","":"Image of the work Ancestors",mainImage:{styles:{col:"2 \u002F 9",row:ar,top:k},stylesXS:{col:"2 \u002F 15",row:ar,top:k},src:"images\u002Fhome\u002Flg\u002F1.webp",alt:"Ancestors, 2021--\u003E",captionClass:p,captionClassXS:p},images:[{src:"images\u002F1\u002Flg\u002F1.webp",alt:"Echoes In The Dark, 2022 220 x 180 cm",words:a,height:al,top:I,bottom:a,right:a,left:k,absolute:a,absoluteXS:a,captionClass:x,orderXS:l,hidden:a,widthXS:b,captionXS:aP,leftXS:a,rightXS:a,topXS:a,bottomXS:a,transformXS:a,captions:["Echoes In The Dark, 2022",cf],text1:a,text2:a,text3:a},{src:"images\u002F1\u002Flg\u002F2.webp",alt:bq,words:a,height:A,top:n,bottom:a,right:cg,left:h,absolute:v,absoluteXS:v,captionClass:a,orderXS:e,hidden:a,widthXS:d,captionXS:a,leftXS:a,rightXS:br,topXS:d,bottomXS:"-29",transformXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F1\u002Flg\u002F3.webp",alt:"Detail:Echoes In The Dark, 2022 220 x 180 cm",words:a,height:E,top:J,bottom:a,right:a,left:a,absolute:a,absoluteXS:a,captionClass:a,orderXS:a,hidden:F,widthXS:a,captionXS:a,leftXS:a,rightXS:a,topXS:a,bottomXS:a,transformXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F1\u002Flg\u002F4.webp",alt:"Detail:Dark Night, 2022 180 x 220cm",words:a,height:d,top:k,bottom:a,right:a,left:k,absolute:a,absoluteXS:a,captionClass:a,orderXS:i,hidden:a,widthXS:n,captionXS:a,leftXS:e,rightXS:a,topXS:a,bottomXS:a,transformXS:ch,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F1\u002Flg\u002F5.webp",alt:"Dark Night, 2022 180 x 220cm",words:a,height:U,top:s,bottom:a,right:w,left:ci,absolute:a,absoluteXS:a,captionClass:M,orderXS:j,hidden:a,widthXS:cj,captionXS:x,leftXS:a,rightXS:a,topXS:a,bottomXS:a,transformXS:a,captions:["Dark Night, 2022",aQ],text1:a,text2:a,text3:a},{src:"images\u002F1\u002Flg\u002F6.webp",alt:bq,words:a,height:h,top:U,bottom:a,right:cg,left:k,absolute:v,absoluteXS:v,captionClass:a,orderXS:f,hidden:a,widthXS:V,captionXS:a,leftXS:"68",rightXS:a,topXS:g,bottomXS:a,transformXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F1\u002Flg\u002F7.webp",alt:"Dark Evening, 2021 180 x 120cm",words:a,height:as,top:at,bottom:a,right:a,left:a,absolute:a,absoluteXS:a,captionClass:x,orderXS:c,hidden:a,widthXS:u,captionXS:am,leftXS:d,rightXS:a,topXS:g,bottomXS:a,transformXS:a,captions:["Dark Evening, 202",au],text1:a,text2:a,text3:a},{src:"images\u002F1\u002Flg\u002F8.jpg",alt:"Detail:Dark Evening, 2021 180 x 120cm",words:a,height:ae,top:an,bottom:a,right:n,left:ck,absolute:a,absoluteXS:a,captionClass:a,orderXS:q,hidden:a,widthXS:$,captionXS:a,leftXS:ae,rightXS:a,topXS:g,bottomXS:a,transformXS:a,captions:[],text1:a,text2:a,text3:a}]},{id:j,title:"Compositions",slug:"compositions",year:cl,status:ak,type:"Installations",quote:"Oxygen, hydrogen, carbon, nitrogen, calcium, phosphorus, potassium, sulfur, sodium, chlorine, magnesium, iron, fluorine, zinc, silicon, copper, iodine, chromium, selenium, nickel, boron, manganese, lithium, molybdenum, cobalt.",description:"Shaping the future is about reconciling with the planet. \u003Cbr\u003EWhat is man’s relationship to himself when he contemplates himself in the mirror of technological praxis?\u003Cbr\u003EHuman nature responds to the laws of physics, just like everything else around us.\u003Cbr\u003EIt is matter that endows the world with a consciousness of its innermost dimension.\u003Cbr\u003EThus is the origin of the abstraction proposed in this series; an intimate place that connects us with our surroundings in a cosmic sense. Materialism that is inclined to recover our forgotten spirituality.",relatedWorks:"8\u002F1\u002F17","":"Image of the work Compositions",mainImage:{styles:{col:"11 \u002F 18",row:ar,top:k},stylesXS:{col:"17 \u002F 28",row:ar,top:k},src:"images\u002Fhome\u002Flg\u002F2.webp",alt:"Compositions, 2020--\u003E",captionClass:aa,captionClassXS:aR},images:[{src:"images\u002F2\u002Flg\u002F1.webp",alt:"Our Dreams Of Freedom, Put Us Against Each Other. (Isabelle Stengers), 2022 220 x 180 cm",words:a,height:b,top:a,bottom:a,right:a,left:av,absolute:a,absoluteXS:a,captionClass:M,orderXS:l,hidden:a,widthXS:u,captionXS:m,leftXS:a,rightXS:d,topXS:a,bottomXS:a,captions:["Our Dreams Of Freedom, Put Us Against Each Other. (Isabelle Stengers), 2022",cf],text1:a,text2:a,text3:a},{src:"images\u002F2\u002Flg\u002F2.webp",alt:"Detail:Our Dreams Of Freedom, Put Us Against Each Other. (Isabelle Stengers), 2022 220 x 180 cm",words:a,height:$,top:a,bottom:a,right:a,left:"-15",absolute:a,absoluteXS:a,captionClass:a,orderXS:a,hidden:F,widthXS:a,captionXS:a,leftXS:a,rightXS:a,topXS:a,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F2\u002Flg\u002F3.webp",alt:"charcoal stone",words:a,height:q,top:a,bottom:c,right:bs,left:k,absolute:v,absoluteXS:v,captionClass:a,orderXS:h,hidden:a,widthXS:d,captionXS:a,leftXS:N,rightXS:a,topXS:g,bottomXS:k,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F2\u002Flg\u002F4.webp",alt:cm,words:a,height:U,top:a,bottom:a,right:a,left:I,absolute:a,absoluteXS:a,captionClass:M,orderXS:c,hidden:a,widthXS:aS,captionXS:m,leftXS:a,rightXS:d,topXS:g,bottomXS:a,captions:[cm,au],text1:a,text2:a,text3:a},{src:"images\u002F2\u002Flg\u002F5.webp",alt:"copper stone",words:a,height:X,top:G,bottom:a,right:"-24",left:d,absolute:v,absoluteXS:v,captionClass:a,orderXS:i,hidden:a,widthXS:o,captionXS:a,leftXS:f,rightXS:a,topXS:g,bottomXS:cn,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F2\u002Flg\u002F6.webp",alt:"Detail:Stardust, 2022 180 x 120cm",words:a,height:O,top:aT,bottom:a,right:a,left:k,absolute:a,absoluteXS:a,captionClass:a,orderXS:f,hidden:a,widthXS:O,captionXS:a,leftXS:a,rightXS:i,topXS:a,bottomXS:k,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F2\u002Flg\u002F7.webp",alt:"Drill Baby Drill, 2021 220 x 180cm",words:a,height:b,top:a,bottom:a,right:a,left:d,absolute:a,absoluteXS:a,captionClass:aw,orderXS:w,hidden:a,widthXS:aF,captionXS:m,leftXS:a,rightXS:a,topXS:g,bottomXS:a,captions:["Drill Baby Drill, 2021","220 x 180cm"],text1:a,text2:a,text3:a},{src:"images\u002F2\u002Flg\u002F8.webp",alt:"Clarity, 2021 180 x 120cm",words:a,height:E,top:X,bottom:a,right:a,left:w,absolute:a,absoluteXS:a,captionClass:aw,orderXS:e,hidden:a,widthXS:bt,captionXS:x,leftXS:a,rightXS:a,topXS:g,bottomXS:a,captions:["Clarity, 2021",au],text1:a,text2:a,text3:a},{src:"images\u002F2\u002Flg\u002F9.webp",alt:"Detail:Clarity, 2021 180 x 120cm",words:a,height:E,top:X,bottom:a,right:a,left:ai,absolute:a,absoluteXS:a,captionClass:a,orderXS:q,hidden:a,widthXS:P,captionXS:a,leftXS:bu,rightXS:k,topXS:g,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F2\u002Flg\u002F10.webp",alt:"Everything Is Alive, Alexander von Humboldt , 2020 180 x 120cm",words:a,height:aG,top:a,bottom:a,right:a,left:Q,absolute:a,absoluteXS:a,captionClass:aw,orderXS:V,hidden:a,widthXS:E,captionXS:m,leftXS:h,rightXS:a,topXS:g,bottomXS:a,captions:["Everything Is Alive, Alexander von Humboldt , 2020",au],text1:a,text2:a,text3:a},{src:"images\u002F2\u002Flg\u002F11.webp",alt:"Only The Nacked Man Shall Understand (Oswald de Andrade) , 2020 Grey Background 180 x 220cm",words:a,height:b,top:a,bottom:a,right:a,left:aU,absolute:a,absoluteXS:a,captionClass:ax,orderXS:j,hidden:a,widthXS:u,captionXS:C,leftXS:d,rightXS:a,topXS:a,bottomXS:a,captions:["Only The Nacked Man Shall Understand (Oswald de Andrade), 2020","Grey Background",aQ],text1:a,text2:a,text3:a},{src:"images\u002F2\u002Flg\u002F12.webp",alt:bq,words:a,height:f,top:f,bottom:a,right:i,left:R,absolute:v,absoluteXS:v,captionClass:a,orderXS:t,hidden:a,widthXS:t,captionXS:a,leftXS:h,rightXS:a,topXS:"-13",bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F2\u002Flg\u002F13.webp",alt:"Artificial Boundaries (Bruno Latour), Black Background, 2020 61 x 50cm",words:a,height:co,top:g,bottom:a,right:a,left:q,absolute:a,absoluteXS:a,captionClass:x,orderXS:s,hidden:a,widthXS:P,captionXS:"right-top-h half-w",leftXS:a,rightXS:i,topXS:ay,bottomXS:a,captions:["Artificial Boundaries (Bruno Latour),","Black Background, 2020",bv],text1:a,text2:a,text3:a},{src:"images\u002F2\u002Flg\u002F14.webp",alt:"Everything Is Alive, Alexander von Humboldt, Yellow Background, 2020 180 x 120cm",words:a,height:cp,top:g,bottom:a,right:a,left:c,absolute:a,absoluteXS:a,captionClass:bw,orderXS:n,hidden:a,widthXS:aF,captionXS:m,leftXS:a,rightXS:q,topXS:S,bottomXS:a,captions:["Everything Is Alive, Alexander von Humboldt,","Yellow Background, 2020",au],text1:a,text2:a,text3:a},{src:"images\u002F2\u002Flg\u002F15.webp",alt:"Earth Is Different Than Territory (Deleuze & Guattari), Grey Background, 2020 61 x 50cm",words:a,height:bt,top:aH,bottom:a,right:a,left:c,absolute:a,absoluteXS:a,captionClass:bw,orderXS:g,hidden:a,widthXS:r,captionXS:"left-bottom-h half-w",leftXS:n,rightXS:a,topXS:aV,bottomXS:a,captions:["Earth Is Different Than Territory (Deleuze & Guattari),","Grey Background, 2020",bv],text1:a,text2:a,text3:a},{src:"images\u002F2\u002Flg\u002F16.webp",alt:"Environment Is Us,István Kenyeres, 2020 Black Background 180 x 120cm",words:a,height:aV,top:a,bottom:a,right:a,left:t,absolute:a,absoluteXS:a,captionClass:aw,orderXS:d,hidden:a,widthXS:af,captionXS:x,leftXS:w,rightXS:a,topXS:q,bottomXS:a,captions:["Environment Is Us,István Kenyeres, 2020",cq,au],text1:a,text2:a,text3:a},{src:"images\u002F2\u002Flg\u002F17.webp",alt:"pirita stone",words:a,height:I,top:a,bottom:f,right:a,left:o,absolute:v,absoluteXS:v,captionClass:a,orderXS:K,hidden:a,widthXS:o,captionXS:a,leftXS:aI,rightXS:a,topXS:bs,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F2\u002Flg\u002F18.webp",alt:"A War Without Winners (Bruno Latour), 2020 Black Background 61 x 50cm",words:a,height:aI,top:Y,bottom:a,right:a,left:t,absolute:a,absoluteXS:a,captionClass:m,orderXS:A,hidden:a,widthXS:o,captionXS:"top-left-v half-h",leftXS:a,rightXS:a,topXS:y,bottomXS:a,captions:["A War Without Winners (Bruno Latour), 2020",cq,bv],text1:a,text2:a,text3:a},{src:"images\u002F2\u002Flg\u002F19.webp",alt:cr,words:a,height:b,top:a,bottom:a,right:a,left:I,absolute:a,absoluteXS:a,captionClass:M,orderXS:I,hidden:a,widthXS:b,captionXS:x,leftXS:a,rightXS:a,topXS:g,bottomXS:a,captions:[cr],text1:a,text2:a,text3:a},{src:"images\u002F2\u002Flg\u002F20.webp",alt:"periodic table",words:a,height:S,top:a,bottom:a,right:a,left:o,absolute:a,absoluteXS:a,captionClass:a,orderXS:a,hidden:F,widthXS:a,captionXS:a,leftXS:a,rightXS:a,topXS:a,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F2\u002Flg\u002F21.webp",alt:"amatista stone",words:a,height:K,top:g,bottom:a,right:"-18",left:d,absolute:v,absoluteXS:v,captionClass:a,orderXS:B,hidden:a,widthXS:g,captionXS:a,leftXS:al,rightXS:a,topXS:d,bottomXS:bs,captions:[],text1:a,text2:a,text3:a}]},{id:i,title:"Sag-Giga",slug:"sag-giga",year:cs,status:ak,type:ct,quote:"12 pieces of clay and smoke in the shape of a person.\u003Cbr\u003EUnique piece 100 x 60 x 80cm aprox",description:"Clay was instrumental in the rise of civilization. As a material, it was easy to obtain and handle. People used it to build cities, make containers for storing and preserving food, and even create writing surfaces. The oldest surviving documents and chronicles were inscribed in clay. History began with them. According to many religions, the first man was modelled in clay by the gods. The title alludes to the term that the Sumerians, the world’s first sedentary farming society, used to describe themselves and, by extension, all of humanity.",relatedWorks:"8\u002F1\u002F27\u002F6\u002F5\u002F7","":"Image of the work Sag-Giga",mainImage:{styles:{col:"33 \u002F 37",row:ar,top:bx},stylesXS:{col:"33 \u002F 39",row:ar,top:by},src:"images\u002Fhome\u002Flg\u002F3.webp",alt:"Sag-Giga, 2022",captionClass:m,captionClassXS:m},images:[{src:"images\u002F3\u002Flg\u002F1.webp",alt:"Sag-Giga clay 100 x 60 x 80cm",words:a,height:b,top:k,bottom:a,right:w,left:a,absolute:a,orderXS:l,hidden:a,widthXS:b,captionXS:a,leftXS:a,rightXS:a,topXS:a,bottomXS:a,captions:[],text1:a,text2:a,text3:a,captionClass:a},{src:"images\u002F3\u002Flg\u002F2.webp",alt:"Detail:Sag-Giga",words:a,height:r,top:B,bottom:a,right:w,left:a,absolute:a,orderXS:j,hidden:a,widthXS:G,captionXS:a,leftXS:c,rightXS:a,topXS:a,bottomXS:a,captions:[],text1:a,text2:a,text3:a,captionClass:a}]},{id:f,title:"Round Around",slug:"round-around",year:cs,status:a,type:ct,quote:"Triptych iron sculpture\u003Cbr\u003EBased on 2m diameter circumference\u003Cbr\u003E3 circumnavigations of the globe Magellan El Cano route, Panama and Suez canal route and Future Arctic route",description:"These sculptures show the major trade routes around the globe. In them the past, the present and the future come together. The first describes the one followed by Fernando de Magallanes and Sebastián Elcano; the second, the current route that crosses the Panama and Suez Canals and, the third, the one that will be used when the global warming melts the North Pole.",relatedWorks:"27\u002F5\u002F22\u002F20\u002F36","":"Image of the work Round Around",mainImage:{styles:{col:"16 \u002F 28",row:cu,top:aW},stylesXS:{col:"16 \u002F 33",row:cu,top:s},src:"images\u002Fhome\u002Flg\u002F4.webp",alt:"Round Around, 2022",captionClass:p,captionClassXS:p},images:[{src:"images\u002F4\u002Flg\u002F1.webp",alt:"Round Around sculpture",words:a,height:b,top:k,bottom:a,right:a,left:a,absolute:a,orderXS:l,hidden:a,widthXS:b,captionXS:a,leftXS:a,rightXS:a,topXS:a,bottomXS:a,captions:[],text1:a,text2:a,text3:a,captionClass:a},{src:"images\u002F4\u002F2.mp4",alt:"Round Around video",words:a,height:N,top:d,bottom:a,right:o,left:z,absolute:a,orderXS:j,hidden:a,widthXS:J,captionXS:a,leftXS:c,rightXS:a,topXS:a,bottomXS:a,captions:[],text1:a,text2:a,text3:a,captionClass:a}]},{id:c,title:cv,slug:"present-continuous",year:aO,status:a,type:ad,quote:"Two hands and clockworks. 40 x 80 cm",description:"In this work, two unadorned clocks rotate synchronously as well as symmetrically. Thus, one of them moves forward while the other moves backwards. Walter Benjamin tells us in On the Concept of History of the collective dream of progress turned into ruins: “XVI [...] A historical materialist cannot do without the notion of a present which is not a transition, but in which time stands still and has come to a stop. For this notion defines the present in which he himself is writing history. Historicism gives the ‘eternal’ image of the past; historical materialism supplies a unique experience with the past, which is maintained in its uniqueness [...].” It might seem that this duet of clocks facing each other, as if looking in a mirror, would lead us to an infinite present or perhaps to a starting point. A time under siege, confined, unspecific and unknown.",relatedWorks:"16\u002F4\u002F25\u002F6\u002F43","":"Image of the work Present Continuous",mainImage:{styles:{col:"10 \u002F 21",row:aX,top:cw},stylesXS:{col:"13 \u002F 25",row:aX,top:g},src:"images\u002Fhome\u002Flg\u002F5.gif",alt:"Present Continuous, 2021",captionClass:"left-middle-h",captionClassXS:"left-middle-h pc"},images:[{src:"images\u002F5\u002Flg\u002F1.jpg",alt:"Present Continuous exhibition view",words:a,height:b,top:a,bottom:a,right:a,left:av,absolute:a,orderXS:l,hidden:a,widthXS:b,captionXS:a,leftXS:a,rightXS:a,topXS:a,bottomXS:a,captions:[],text1:a,text2:a,text3:a,captionClass:a},{src:"images\u002F5\u002Flg\u002F2.webp",alt:cv,words:a,height:r,top:J,bottom:a,right:o,left:n,absolute:a,orderXS:j,hidden:a,widthXS:b,captionXS:a,leftXS:a,rightXS:a,topXS:s,bottomXS:a,captions:[],text1:a,text2:a,text3:a,captionClass:a}]},{id:e,title:"JETZTZEIT \u003Cbr\u003E Behausung",slug:"jetztzeit-behausung",year:aO,status:a,type:ad,quote:"Charts of burnt wood and fossil fuel material\u003Cbr\u003E96 x 60 cm (x 101). Total aprox. 600 x 350 x 200 cm\u003Cbr\u003ECarbon black, ivory black, gas black, black pitch, bitumen, paraffin, petroleum, soot, vine black, spark plug black, activated carbon, coal, lignite, anthracite and peat, carbon fiber, graphite, graphene, crude oil, kerosene, gasoline on burning wood.",description:"The balanced and perfectly symmetrical structure of a house of cards gives shape to the work. When we build them, we have to practice, rehearse, and study the possibilities until we reach the perfect patience applied to geometry and place the cards in line, supporting their bases as if they were strong pillars, one on top of the other, forming isosceles triangles from the botton to the apex. Quite an achievement.\u003Cbr\u003EJetztzeit Behausung (The dwelling of time-now) is fragmentary, stratified and fluctuates in a melting pot of multiplicity and countless simultaneities. Thus, the past is not defined as a fait accompli but holds within itself the power to become legible in the now. The work contains cards each bearing its own provenance (all kinds of fossil fuels and their petro- chemical derivatives), which is its significance. Thus, the construction will touch the sky “of progress” and all its ambi- tions. From then on, it will be in the hands of fate or a breath of wind that will bring down such an ephemeral construction.",relatedWorks:"26\u002F5\u002F1","":"Image of the work JETZTZEIT \u003Cbr\u003E Behausung",mainImage:{styles:{col:cx,row:aX,top:cw},stylesXS:{col:"26 \u002F 41",row:aX,top:g},src:"images\u002Fhome\u002Flg\u002F6.webp",alt:"Jetztzeit Behausung, 2021",captionClass:p,captionClassXS:p},images:[{src:"images\u002F6\u002Flg\u002F1.webp",alt:"JETZTZEIT Behausung exhibition view",words:a,height:b,top:a,bottom:a,right:a,left:a,absolute:a,captionClass:a,orderXS:l,hidden:a,widthXS:b,captionXS:a,leftXS:a,rightXS:a,topXS:a,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F6\u002Flg\u002F2.webp",alt:"Detail:JETZTZEIT Behausung, 2021\u003Cbr\u003E96 x 60 cm (x 30). Total aprox. 600 x 350 x 200 cm\u003Cbr\u003E",words:a,height:H,top:ab,bottom:a,right:a,left:e,absolute:a,captionClass:a,orderXS:i,hidden:a,widthXS:aI,captionXS:a,leftXS:ae,rightXS:a,topXS:c,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F6\u002Flg\u002F3.webp",alt:"JETZTZEIT Behausung, 2021 96 x 60 cm (x 30). Total aprox. 600 x 350 x 200 cm",words:a,height:Z,top:bz,bottom:a,right:a,left:h,absolute:a,captionClass:x,orderXS:j,hidden:a,widthXS:N,captionXS:m,leftXS:a,rightXS:a,topXS:c,bottomXS:a,captions:["JETZTZEIT Behausung, 2021 ","96 x 60 cm (x 30). Total aprox. 600 x 350 x 200 cm"],text1:a,text2:a,text3:a},{src:"images\u002F6\u002Flg\u002F4.webp",alt:"Detail:JETZTZEIT Behausung",words:a,height:G,top:G,bottom:a,right:a,left:e,absolute:a,captionClass:a,orderXS:a,hidden:F,widthXS:a,captionXS:a,leftXS:a,rightXS:a,topXS:a,bottomXS:a,captions:[],text1:a,text2:a,text3:a}]},{id:q,title:ag,slug:"sacer-group",year:aO,status:a,type:ad,quote:"7 figures. Variable dimensions",description:"It illustrate the intra-material connections that are formed from the inception of the elements, and their role in the industry that supplies us, to our fragile body, that of humans, one more endangered species.\u003Cbr\u003EThose elements who are geological matter at the service of industry appear in the sculptural installation SACER Group, where Lucas restores an integrated natural world by weaving a network of interconnections and dependencies: “The iron used in the car industry is the same iron that colours our blood red and the same iron that came from the creation of oxygen on the planet”9. A composition of abstract bodies, an assemblage of objects derived from industry, integrated with rocks, and reacting with each other. That is the intended outside, the remnants of nature and apparently absent from our human body.",relatedWorks:"2\u002F8\u002F27\u002F17\u002F5","":"Image of the work SACER Group",mainImage:{styles:{col:"13 \u002F 17",row:aY,top:bA},stylesXS:{col:"12 \u002F 18",row:aY,top:n},src:"images\u002Fhome\u002Flg\u002F7.webp",alt:"SACER Group, 2021",captionClass:M,captionClassXS:M},images:[{src:"images\u002F7\u002Flg\u002F1.webp",alt:"SACER Group exhibition view",words:a,height:b,top:k,bottom:a,right:a,left:a,absolute:a,captionClass:a,orderXS:l,hidden:a,widthXS:b,captionXS:a,leftXS:a,rightXS:a,topXS:a,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F7\u002Flg\u002F2.webp",alt:ag,words:a,height:"94",top:ci,bottom:a,right:a,left:h,absolute:a,captionClass:a,orderXS:j,hidden:a,widthXS:u,captionXS:a,leftXS:a,rightXS:d,topXS:c,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F7\u002Flg\u002F3.webp",alt:"Detail:SACER Group",words:a,height:an,top:S,bottom:a,right:a,left:"-12",absolute:a,captionClass:a,orderXS:i,hidden:a,widthXS:S,captionXS:a,leftXS:L,rightXS:d,topXS:g,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F7\u002Flg\u002F4.webp",alt:ag,words:a,height:az,top:h,bottom:a,right:a,left:s,absolute:a,captionClass:a,orderXS:c,hidden:a,widthXS:aZ,captionXS:a,leftXS:K,rightXS:a,topXS:g,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F7\u002Flg\u002F5.webp",alt:ag,words:a,height:cy,top:h,bottom:a,right:a,left:q,absolute:a,captionClass:a,orderXS:f,hidden:a,widthXS:g,captionXS:a,leftXS:a,rightXS:a,topXS:g,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F7\u002Flg\u002F6.webp",alt:ag,words:a,height:cj,top:k,bottom:a,right:a,left:n,absolute:a,captionClass:a,orderXS:e,hidden:a,widthXS:b,captionXS:a,leftXS:a,rightXS:a,topXS:g,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F7\u002Flg\u002F7.webp",alt:ag,words:a,height:aZ,top:h,bottom:a,right:a,left:A,absolute:a,captionClass:a,orderXS:A,hidden:a,widthXS:cz,captionXS:a,leftXS:a,rightXS:X,topXS:Q,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F7\u002Flg\u002F8.webp",alt:ag,words:a,height:b,top:k,bottom:a,right:a,left:bB,absolute:a,captionClass:a,orderXS:q,hidden:a,widthXS:as,captionXS:a,leftXS:a,rightXS:a,topXS:g,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F7\u002Flg\u002F9.webp",alt:ag,words:a,height:b,top:k,bottom:a,right:a,left:A,absolute:a,captionClass:a,orderXS:h,hidden:a,widthXS:as,captionXS:a,leftXS:e,rightXS:a,topXS:g,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F7\u002Flg\u002F10.webp",alt:ag,words:a,height:P,top:k,bottom:a,right:cn,left:s,absolute:a,captionClass:a,orderXS:d,hidden:a,widthXS:z,captionXS:a,leftXS:an,rightXS:a,topXS:e,bottomXS:a,captions:[],text1:a,text2:a,text3:a}]},{id:h,title:"The People That Is Missing",slug:"the-people-that-is-missing",year:bC,status:a,type:bD,quote:"16:9 8’4”",description:"Taking place in the Svalbard Archipelago, (old Spisvergen) the video sets out not only to enliven some of the most urgent questions of our time, but to do so from one of the most challenging sites in the world, in the North Pole, where the clime change is more evidente and the tensions for the distribution of its resources will define the near future.",relatedWorks:"2\u002F1\u002F4\u002F27\u002F17","":"Image of the work The People That Is Missing",mainImage:{styles:{col:"27 \u002F 37",row:aY,top:"170px"},stylesXS:{col:"22 \u002F 37",row:aY,top:r},src:"images\u002Fhome\u002Flg\u002F8.webp",alt:"The People That Is Missing, 2019",captionClass:p,captionClassXS:"bottom-left-h half-w"},images:[{src:"images\u002F8\u002Flg\u002F1.webp",alt:cA,words:a,height:b,top:a,bottom:a,right:a,left:a,absolute:a,orderXS:l,hidden:a,widthXS:b,captionXS:a,leftXS:a,rightXS:a,topXS:a,bottomXS:a,captions:[],text1:a,text2:a,text3:a,captionClass:a},{src:"images\u002F8\u002Flg\u002F2.webp",alt:"The People That Is Missing poem",words:a,height:b,top:a,bottom:a,right:a,left:g,absolute:a,orderXS:j,hidden:a,widthXS:u,captionXS:a,leftXS:c,rightXS:c,topXS:c,bottomXS:a,captions:[],text1:a,text2:a,text3:a,captionClass:a},{src:"images\u002F8\u002Flg\u002F3.webp",alt:cA,words:a,height:b,top:a,bottom:a,right:a,left:g,absolute:a,orderXS:i,hidden:a,widthXS:u,captionXS:a,leftXS:a,rightXS:d,topXS:g,bottomXS:a,captions:[],text1:a,text2:a,text3:a,captionClass:a},{src:"images\u002F8\u002Flg\u002F4.webp",alt:cB,words:a,height:S,top:a,bottom:a,right:a,left:e,absolute:a,orderXS:f,hidden:a,widthXS:E,captionXS:a,leftXS:r,rightXS:d,topXS:d,bottomXS:a,captions:[],text1:a,text2:a,text3:a,captionClass:a},{src:"images\u002F8\u002Flg\u002F5.webp",alt:"Detail:The People That Is Missing exhibition view",words:a,height:S,top:a,bottom:a,right:a,left:e,absolute:a,orderXS:e,hidden:a,widthXS:G,captionXS:a,leftXS:c,rightXS:a,topXS:c,bottomXS:a,captions:[],text1:a,text2:a,text3:a,captionClass:a},{src:"images\u002F8\u002Flg\u002F6.webp",alt:cB,words:a,height:a_,top:Q,bottom:a,right:i,left:X,absolute:a,orderXS:c,hidden:a,widthXS:b,captionXS:a,leftXS:a,rightXS:a,topXS:o,bottomXS:a,captions:[],text1:a,text2:a,text3:a,captionClass:a}]},{id:A,title:"Anatomy Of A Minute",slug:"anatomy-of-a-minute",year:cl,status:a,type:"Video Cell Phone \u003Cbr\u003E1’",quote:"\u003Ca class=\"quote-link\" href=\"https:\u002F\u002F100waystoliveaminute.pushkinmuseum.art\u002Fa_mediaquarantine\u002Findex.php?lang=en\" target=\"_blank\" \u003Ehttps:\u002F\u002F100waystoliveaminute.pushkinmuseum.art\u002Fa_mediaquarantine\u002Findex.php?lang=en\u003C\u002Fa\u003E",description:"Specially made during Pandemic for \"100 Ways To Live A Minute\" an online Exhibition at Pinsky Museum. The video shows the base for the division of time, counting in dozens during one minute even parts of it, and shows the maximum amount of issues that our hands can count.",relatedWorks:"3\u002F5\u002F16\u002F41","":"Image of the work Anatomy Of A Minute",mainImage:{styles:{col:"1 \u002F 9",row:cC,top:aW},stylesXS:{col:bE,row:cC,top:h},src:"images\u002Fhome\u002Flg\u002F9.webp",alt:"Anatomy of a Minute, 2020",captionClass:p,captionClassXS:p},images:[{src:"images\u002F9\u002F1.mp4",alt:"Anatomy Of A Minute video",words:a,height:b,top:a,bottom:a,right:c,left:a,absolute:a,orderXS:l,hidden:a,widthXS:b,captionXS:a,leftXS:a,rightXS:a,topXS:a,bottomXS:a,captions:[],text1:a,text2:a,text3:a,captionClass:a}]},{id:d,title:"Great Sentences",slug:"great-sentences",year:"2018",status:ak,type:ad,quote:"Variable Measures",description:"Great Sentences are texts composed from the slogans that accompany and influence our lives. Each slogan appears next to its brand, reminding us of the product they represent.\u003Cbr\u003EThey are displayed on billboards that can be distributed indoors or outdoors.\u003Cbr\u003E",relatedWorks:"19\u002F18\u002F8\u002F13\u002F42","":"Image of the work Great Sentences",mainImage:{styles:{col:"4 \u002F 9",row:a$,top:bx},stylesXS:{col:cD,row:a$,top:H},src:"images\u002Fhome\u002Flg\u002F10.webp",alt:"Great Sentences, 2018--\u003E",captionClass:M,captionClassXS:M},images:[{src:"images\u002F10\u002Flg\u002F1.webp",alt:ba,words:a,height:b,top:a,bottom:a,right:a,left:a,absolute:a,captionClass:a,orderXS:l,hidden:a,widthXS:b,captionXS:a,leftXS:a,rightXS:a,topXS:a,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F10\u002Flg\u002F2.webp",alt:ba,words:a,height:an,top:f,bottom:a,right:a,left:h,absolute:a,captionClass:bF,orderXS:j,hidden:a,widthXS:u,captionXS:bF,leftXS:c,rightXS:c,topXS:h,bottomXS:a,captions:["The dream of every girl (Zetina Dikiş Makinesi):\u003Cbr\u003EMake your own rules (Audi) as if nothing ever happened (Ankara Sigorta) Fuel your fire. (Burger King)\u003Cbr\u003EYou are always ready for everything (8×4) It’s inciting, (Slazenger) ask for more (Pepsi)\u003Cbr\u003EDo you have any other wish? (Garanti Bankası)"],text1:a,text2:a,text3:a},{src:"images\u002F10\u002Flg\u002F3.webp",alt:ba,words:a,height:b,top:a,bottom:a,right:a,left:g,absolute:a,captionClass:a,orderXS:i,hidden:a,widthXS:N,captionXS:a,leftXS:a,rightXS:o,topXS:d,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F10\u002Flg\u002F4.webp",alt:ba,words:a,height:G,top:A,bottom:a,right:r,left:q,absolute:a,captionClass:bF,orderXS:f,hidden:a,widthXS:N,captionXS:"bottom bold-p ml5",leftXS:a,rightXS:o,topXS:e,bottomXS:c,captions:["Decorate your life (Ikea) Have a break (Kit Kat)\u003Cbr\u003EThe happiest place on earth (Disneyland) Here you are the king (Burger King)"],text1:a,text2:a,text3:a}]},{id:K,title:"The Big Puzzle",slug:"the-big-puzzle",year:bC,status:a,type:ad,quote:"Variable dimensions, Interactive composition of Monochrome geometric shapes of magnetized iron\u003Cbr\u003E",description:"Semiotics is the attitude of exploration of what exists in the background in all signification: it’s roots and the mechanisms that sustain it. The flags are a system of representation of closed signs and the intention of this work is to decouple it’s different elements to give them a semiological dimension and to study their signals in an open way. From the structuralism the pieces composed the units of the system and the ways that these have to connect conform the rules of their coordination. The resulting composition is not what matters but the liberation of the sign. The flags represent traditional identities and these are governed by structures that we do not control, everything we do is circumscribed by a deterministic system, hence the importance of their liberation. Identity is a construction that also operates on a personal level and is also affected by time, thus generating multiple versions of the same content. By taking the flags (closed signs) and transforming them into signals (open signs), an indeterminate number of new regroupings are generated. This unlimited amount of possibilities is closer to the contemporary experience of identity.",relatedWorks:"36\u002F37\u002F32","":"Image of the work The Big Puzzle",mainImage:{styles:{col:"18 \u002F 34",row:a$,top:aW},stylesXS:{col:"16 \u002F 37",row:a$,top:n},src:"images\u002Fhome\u002Flg\u002F11.webp",alt:"The Big Puzzle, 2019",captionClass:p,captionClassXS:p},images:[{src:"images\u002F11\u002Flg\u002F1.webp",alt:bG,words:a,height:b,top:a,bottom:a,right:a,left:at,absolute:a,captionClass:a,orderXS:l,hidden:a,widthXS:b,leftXS:a,rightXS:a,topXS:a,bottomXS:a,captionXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F11\u002Flg\u002F2.webp",alt:"Detail:The Big Puzzle exhibition view",words:a,height:H,top:a,bottom:a,right:a,left:f,absolute:a,captionClass:a,orderXS:j,hidden:a,widthXS:H,leftXS:aS,rightXS:c,topXS:d,bottomXS:a,captionXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F11\u002Flg\u002F3.webp",alt:bG,words:a,height:aV,top:I,bottom:a,right:a,left:B,absolute:a,captionClass:ax,orderXS:i,hidden:a,widthXS:bH,leftXS:a,rightXS:c,topXS:g,bottomXS:a,captionXS:ao,captions:["The Big Puzzle, Second Installation. Back And Forth, CAAC 2022"],text1:a,text2:a,text3:a},{src:"images\u002F11\u002Flg\u002F4.webp",alt:bG,words:a,height:b,top:a,bottom:a,right:a,left:h,absolute:a,captionClass:m,orderXS:f,hidden:a,widthXS:az,leftXS:X,rightXS:d,topXS:z,bottomXS:a,captionXS:m,captions:["The Big Puzzle, First Installation. Back And Forth, CAAC 2022"],text1:a,text2:a,text3:a},{src:"images\u002F11\u002Flg\u002F5.webp",alt:cE,words:a,height:aj,top:aU,bottom:a,right:a,left:B,absolute:a,captionClass:aP,orderXS:c,hidden:a,widthXS:aJ,leftXS:d,rightXS:c,topXS:z,bottomXS:a,captionXS:C,captions:["The Big Puzzle, Deconstructed Flags “Belgium”. AAIR Antwerp, 2018"],text1:a,text2:a,text3:a},{src:"images\u002F11\u002Flg\u002F6.webp",alt:cE,words:a,height:b,top:a,bottom:a,right:a,left:c,absolute:a,captionClass:a,orderXS:e,hidden:a,widthXS:r,leftXS:af,rightXS:c,topXS:e,bottomXS:a,captionXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F11\u002Flg\u002F7.webp",alt:cF,words:a,height:O,top:a,bottom:a,right:a,left:h,absolute:a,captionClass:x,orderXS:h,hidden:a,widthXS:L,leftXS:h,rightXS:a,topXS:E,bottomXS:a,captionXS:aa,captions:["The Big Puzzle, Deconstructed Flags “France”. AAIR Antwerp, 2018"],text1:a,text2:a,text3:a},{src:"images\u002F11\u002Flg\u002F8.webp",alt:cF,words:a,height:b,top:a,bottom:a,right:a,left:h,absolute:a,captionClass:a,orderXS:q,hidden:a,widthXS:D,leftXS:a,rightXS:a,topXS:g,bottomXS:a,captionXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F11\u002Flg\u002F9.webp",alt:cG,words:a,height:H,top:I,bottom:a,right:a,left:h,absolute:a,captionClass:x,orderXS:A,hidden:a,widthXS:ac,leftXS:z,rightXS:c,topXS:r,bottomXS:a,captionXS:C,captions:["The Big Puzzle, Deconstructed Flags “Congo”. AAIR Antwerp, 2018"],text1:a,text2:a,text3:a},{src:"images\u002F11\u002Flg\u002F10.webp",alt:cG,words:a,height:b,top:a,bottom:a,right:a,left:h,absolute:a,captionClass:a,orderXS:d,hidden:a,widthXS:y,leftXS:D,rightXS:c,topXS:q,bottomXS:a,captionXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F11\u002Flg\u002F11.webp",alt:cH,words:a,height:D,top:D,bottom:a,right:a,left:h,absolute:a,captionClass:ao,orderXS:s,hidden:a,widthXS:ae,leftXS:c,rightXS:an,topXS:h,bottomXS:a,captionXS:"top-left-h full-w",captions:["The Big Puzzle, Deconstructed Flags “Morocco”. AAIR Antwerp, 2018"],text1:a,text2:a,text3:a},{src:"images\u002F11\u002Flg\u002F12.webp",alt:cH,words:a,height:cI,top:a,bottom:a,right:a,left:h,absolute:a,captionClass:a,orderXS:K,hidden:a,widthXS:aJ,leftXS:c,rightXS:d,topXS:Q,bottomXS:a,captionXS:a,captions:[],text1:a,text2:a,text3:a},{src:aA,alt:"\u003Cp\u003E\u003Cstrong\u003EThe Big Puzzle, Workshop for Artica Listen “Flag of Svalbard Citizens”, 2019 \u003C\u002Fstrong\u003E\u003Cbr\u003E\u003Cspan class=\"blue\"\u003EInteractive composition of 135 Monochrome geometric shapes of magnetised iron.\u003C\u002Fspan\u003E\u003C\u002Fp\u003E\u003Cbr\u003E\u003Cp\u003ESvalbard archipelago is ruled under an unique international treaty ratified by 44 countries. One of the aspects of this agreement that are more contemporary even futuristic, is the idea that all the citizen coming from the signatory countries will be teated equally. They have equal access to the Svalbard resources, equal access to the ports, communications, and to open a business as long as they keep autonomous.\u003Cp\u003E\u003C\u002Fp\u003EBearing in mind the importance of equality for the treaty the proposal consist on making a public interactive sculpture that could show the complexity of this peaceful and integrative society as an example to the wold in a moment of racing nationalism.\u003C\u002Fp\u003E",words:a,height:E,top:a,bottom:a,right:a,left:h,absolute:a,captionClass:a,orderXS:a,hidden:F,widthXS:a,leftXS:a,rightXS:a,topXS:a,bottomXS:a,captionXS:a,captions:[],text1:a,text2:a,text3:a},{src:aA,alt:"\u003Cp class=\"big\"\u003EThe Big Puzzle, Workshop for Artica Listen “Flag of Svalbard Citizens”, 2019\u003C\u002Fp\u003E\u003Cbr\u003E",words:a,height:a,top:a,bottom:a,right:a,left:a,absolute:a,captionClass:a,orderXS:s,hidden:ap,widthXS:b,leftXS:a,rightXS:a,topXS:Y,bottomXS:a,captionXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F11\u002Flg\u002F13.webp",alt:bI,words:a,height:b,top:a,bottom:a,right:a,left:h,absolute:a,captionClass:a,orderXS:n,hidden:a,widthXS:b,leftXS:a,rightXS:a,topXS:c,bottomXS:a,captionXS:a,captions:[],text1:a,text2:a,text3:a},{src:aA,alt:"\u003Cp class=\"blue\"\u003E\u003Ci\u003EInteractive composition of 135 Monochrome geometric shapes of magnetised iron.\u003C\u002Fi\u003E\u003C\u002Fp\u003E\u003Cp\u003ESvalbard archipelago is ruled under an unique international treaty ratified by 44 countries. One of the aspects of this agreement that are more contemporary even futuristic, is the idea that all the citizen coming from the signatory countries will be teated equally. They have equal access to the Svalbard resources, equal access to the ports, communications, and to open a business as long as they keep autonomous.",words:a,height:a,top:a,bottom:a,right:a,left:a,absolute:a,captionClass:a,orderXS:t,hidden:ap,widthXS:b,leftXS:a,rightXS:a,topXS:c,bottomXS:a,captionXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F11\u002Flg\u002F14.webp",alt:"Bearing in mind the importance of equality for the treaty the proposal consist on making a public interactive sculpture that could show the complexity of this peaceful and integrative society as an example to the wold in a moment of racing nationalism.\u003C\u002Fp\u003E",words:a,height:D,top:D,bottom:a,right:a,left:K,absolute:a,captionClass:a,orderXS:g,hidden:a,widthXS:R,leftXS:az,rightXS:c,topXS:e,bottomXS:a,captionXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F11\u002Flg\u002F15.webp",alt:bI,words:a,height:b,top:a,bottom:a,right:a,left:aU,absolute:a,captionClass:a,orderXS:w,hidden:a,widthXS:aJ,leftXS:d,rightXS:c,topXS:g,bottomXS:a,captionXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F11\u002Flg\u002F16.webp",alt:bI,words:a,height:ac,top:h,bottom:a,right:a,left:h,absolute:a,captionClass:a,orderXS:I,hidden:a,widthXS:b,leftXS:a,rightXS:a,topXS:T,bottomXS:a,captionXS:a,captions:[],text1:a,text2:a,text3:a},{src:aA,alt:"\u003Cp\u003E\u003Cstrong\u003EThe Big Puzzle, “Workshop for teenagers in  AAIR, Antwerp”. 2018\u003C\u002Fstrong\u003E\u003Cbr\u003E\u003Cspan class=\"blue\"\u003EInteractive composition of 45 Monochrome geometric shapes of magnetised wood.\u003C\u002Fspan\u003E\u003C\u002Fp\u003E\u003Cp\u003EEach one has two or more nationalities.\u003C\u002Fp\u003E\u003Cp\u003EThey made flags including all their national identities as well as the official flag of the group.\u003C\u002Fp\u003E",words:a,height:E,top:a,bottom:a,right:a,left:B,absolute:a,captionClass:a,orderXS:a,hidden:F,widthXS:a,leftXS:a,rightXS:a,topXS:a,bottomXS:a,captionXS:a,captions:[],text1:a,text2:a,text3:a},{src:aA,alt:"\u003Cp class=\"big\"\u003EThe Big Puzzle, “Workshop for teenagers in  AAIR, Antwerp”. 2018\u003C\u002Fp\u003E",words:a,height:a,top:a,bottom:a,right:a,left:a,absolute:a,captionClass:a,orderXS:B,hidden:ap,widthXS:b,leftXS:a,rightXS:a,topXS:T,bottomXS:a,captionXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F11\u002Flg\u002F17.webp",alt:bb,words:a,height:b,top:a,bottom:a,right:a,left:h,absolute:a,captionClass:a,orderXS:V,hidden:a,widthXS:u,leftXS:a,rightXS:d,topXS:c,bottomXS:a,captionXS:a,captions:[],text1:a,text2:a,text3:a},{src:aA,alt:"\u003Cp class=\"blue\"\u003E\u003Ci\u003EInteractive composition of 45 Monochrome geometric shapes of magnetised wood.\u003C\u002Fi\u003E\u003C\u002Fp\u003E\u003Cp\u003EEach one has two or more nationalities. They made flags including all their national identities as well as the official flag of the group. Interactive composition of 45 Monochrome geometric shapes of magnetised wood.\u003C\u002Fp\u003E",words:a,height:a,top:a,bottom:a,right:a,left:a,absolute:a,captionClass:a,orderXS:o,hidden:ap,widthXS:b,leftXS:a,rightXS:a,topXS:c,bottomXS:a,captionXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F11\u002Flg\u002F18.webp",alt:bb,words:a,height:aF,top:ae,bottom:a,right:a,left:K,absolute:a,captionClass:a,orderXS:T,hidden:a,widthXS:W,leftXS:a,rightXS:y,topXS:c,bottomXS:a,captionXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F11\u002Flg\u002F19.webp",alt:bb,words:a,height:"87",top:n,bottom:a,right:a,left:h,absolute:a,captionClass:a,orderXS:Q,hidden:a,widthXS:N,leftXS:o,rightXS:a,topXS:t,bottomXS:a,captionXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F11\u002Flg\u002F20.webp",alt:bb,words:a,height:aj,top:a,bottom:a,right:Y,left:aI,absolute:a,captionClass:a,orderXS:X,hidden:a,widthXS:P,leftXS:o,rightXS:a,topXS:e,bottomXS:o,captionXS:a,captions:[],text1:a,text2:a,text3:a}]},{id:s,title:"Bichromes",slug:"bichromes",year:bc,status:a,type:a,quote:"Ink printing on two superimposed methacrylates with 3mm and on Dibond, with framed in carvedand stained beech wood. 100 x 70 x 4’5 cm (x 6)",description:"A collection of logos of real companies, selected on the basis of their colour combinations. These combinations are used because of the implicit emotional appeal they arouse in the viewer. The adjectives they evoke, rooted in corporate and consumer techniques, are carved into the frame. Sometimes, an alignment is deliberately sought between the colours of the companies and those of the flags of the country of origin, especially in the case of international companies, thus creating a vague link between citizens and consumers.",relatedWorks:"18\u002F19\u002F11\u002F37","":"Image of the work Bichromes",mainImage:{styles:{col:cJ,row:bd,top:be},stylesXS:{col:cK,row:bd,top:T},src:"images\u002Fhome\u002Flg\u002F12.webp",alt:"Bichromes, 2017",captionClass:"left-top-h mt50",captionClassXS:m},images:[{src:"images\u002F12\u002Flg\u002F1.webp",alt:"Bichrome black & red",words:a,height:b,top:a,bottom:a,right:a,left:a,absolute:a,captionClass:a,orderXS:l,hidden:a,widthXS:b,captionXS:a,leftXS:a,rightXS:a,topXS:a,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F12\u002Flg\u002F2.webp",alt:"Bichrome red & green",words:a,height:b,top:a,bottom:a,right:a,left:d,absolute:a,captionClass:a,orderXS:j,hidden:a,widthXS:E,captionXS:a,leftXS:bu,rightXS:a,topXS:h,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F12\u002Flg\u002F3.webp",alt:"Detail:Bichrome red & green",words:a,height:E,top:J,bottom:a,right:a,left:c,absolute:a,captionClass:ao,orderXS:i,hidden:a,widthXS:G,captionXS:"top-right-h special-12-3",leftXS:bu,rightXS:a,topXS:a,bottomXS:k,captions:["Red & Green, 2017",bf],text1:a,text2:a,text3:a},{src:"images\u002F12\u002Flg\u002F4.webp",alt:"Detail:Bichrome red & yellow",words:a,height:V,top:a,bottom:a,right:a,left:w,absolute:a,captionClass:a,orderXS:f,hidden:a,widthXS:b,captionXS:a,leftXS:a,rightXS:a,topXS:w,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F12\u002Flg\u002F5.webp",alt:"Bichrome red & yellow",words:a,height:b,top:a,bottom:a,right:a,left:c,absolute:a,captionClass:bJ,orderXS:c,hidden:a,widthXS:E,captionXS:p,leftXS:P,rightXS:q,topXS:c,bottomXS:a,captions:["Red & Yellow, 2017",bf],text1:a,text2:a,text3:a},{src:"images\u002F12\u002Flg\u002F6.webp",alt:"Detail:Bichrome black & yellow",words:a,height:aK,top:$,bottom:a,right:a,left:r,absolute:a,captionClass:aP,orderXS:e,hidden:a,widthXS:bg,captionXS:C,leftXS:a,rightXS:a,topXS:z,bottomXS:a,captions:["Black & Yellow, 2017",bf],text1:a,text2:a,text3:a},{src:"images\u002F12\u002Flg\u002F7.webp",alt:"Bichrome black & yellow",words:a,height:b,top:a,bottom:a,right:a,left:c,absolute:a,captionClass:bJ,orderXS:q,hidden:a,widthXS:az,captionXS:a,leftXS:e,rightXS:a,topXS:z,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F12\u002Flg\u002F8.webp",alt:"Detail:Bichrome blue & yellow",words:a,height:b,top:a,bottom:a,right:a,left:r,absolute:a,captionClass:bJ,orderXS:h,hidden:a,widthXS:ab,captionXS:aB,leftXS:i,rightXS:a,topXS:z,bottomXS:a,captions:["Blue & Yellow, 2017",bf],text1:a,text2:a,text3:a},{src:"images\u002F12\u002Flg\u002F9.webp",alt:"Bichrome Red & Blue",words:a,height:ac,top:g,bottom:a,right:a,left:c,absolute:a,captionClass:a,orderXS:A,hidden:a,widthXS:ay,captionXS:a,leftXS:e,rightXS:c,topXS:z,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F12\u002Flg\u002F10.webp",alt:bK,words:a,height:b,top:a,bottom:a,right:a,left:n,absolute:a,captionClass:M,orderXS:d,hidden:a,widthXS:D,captionXS:aB,leftXS:r,rightXS:o,topXS:d,bottomXS:a,captions:[cL,aQ],text1:a,text2:a,text3:a},{src:"images\u002F12\u002Flg\u002F11.webp",alt:bK,words:a,height:r,top:a,bottom:a,right:a,left:f,absolute:a,captionClass:a,orderXS:K,hidden:a,widthXS:o,captionXS:a,leftXS:d,rightXS:ac,topXS:d,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F12\u002Flg\u002F12.webp",alt:bK,words:a,height:b,top:a,bottom:a,right:c,left:A,absolute:a,captionClass:"is-hidden",orderXS:s,hidden:a,widthXS:N,captionXS:C,leftXS:d,rightXS:a,topXS:d,bottomXS:a,captions:[cL,aQ],text1:a,text2:a,text3:a}]},{id:n,title:"Figures",slug:"figures",year:bc,status:a,type:a,quote:"Milled aluminium sculptures. Square 300 x 300 cm. Equilateral Triangle 380 x 300 cm. Circle 300 ø cm. Horizontal 440 cm. Vertical 300 cm.\u003Cbr\u003EDiagonal 460 cm. Point 27 ø cm. Variable depth (x 7).\u003Cbr\u003E",description:"This series is made up of the sculptures Square, Equilateral Triangle, Circle, Horizontal, Vertical, Diagonal and Point. Standard measurement of 3 meters, used in billboards, is adopted as modulor of our relationship with contempla- tion objects. Each figure bears written upon it the adjectives through which different theories about shapes (from art to design, and including advertising) have been assigned to each item, as well as the logos of the companies or corporations that have assimilated that shape. As a result, the square has words written on it such as stability, permanence, order, control and force, as well as the logos associated with that shape, like those belonging to Chanel No 5, Dropbox, Facebook and American Express. The circle, on the other hand, displays words like universality, perfection, equidistance, rotation and group, with logos whose forms are also round, including those of the United Nations, Audi, Bayer, Universal, Bosch and the European Union.",relatedWorks:"18\u002F12\u002F11\u002F29","":"Image of the work Figures",mainImage:{styles:{col:bL,row:bd,top:be},stylesXS:{col:"32 \u002F 40",row:bd,top:T},src:"images\u002Fhome\u002Flg\u002F13.webp",alt:"Figures, 2017",captionClass:C,captionClassXS:"left-top--h mt50"},images:[{src:"images\u002F13\u002Flg\u002F1.webp",alt:cM,words:a,height:b,top:a,bottom:a,right:a,left:a,absolute:a,captionClass:a,orderXS:l,hidden:a,widthXS:b,captionXS:a,leftXS:a,rightXS:a,topXS:at,bottomXS:a,transformXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F13\u002Flg\u002F2.webp",alt:"Figures square",words:a,height:b,top:a,bottom:a,right:a,left:h,absolute:a,captionClass:m,orderXS:j,hidden:a,widthXS:af,captionXS:m,leftXS:a,rightXS:G,topXS:e,bottomXS:a,transformXS:a,captions:["Square 300 x 300 cm, 2017"],text1:a,text2:a,text3:a},{src:"images\u002F13\u002Flg\u002F4.webp",alt:"Figures Equilateral Triangle ",words:a,height:b,top:a,bottom:a,right:a,left:s,absolute:a,captionClass:a,orderXS:f,hidden:a,widthXS:W,captionXS:a,leftXS:c,rightXS:a,topXS:g,bottomXS:a,transformXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F13\u002Flg\u002F3.webp",alt:"Figures Equilateral Triangle detail",words:a,height:ae,top:a,bottom:a,right:a,left:e,absolute:a,captionClass:x,orderXS:i,hidden:a,widthXS:G,captionXS:"right-top-v br",leftXS:c,rightXS:a,topXS:g,bottomXS:a,transformXS:a,captions:["Equilateral Triangle 380 x 300 cm, 2017"],text1:a,text2:a,text3:a},{src:"images\u002F13\u002Flg\u002F5.webp",alt:cM,words:a,height:b,top:a,bottom:a,right:a,left:R,absolute:a,captionClass:a,orderXS:c,hidden:a,widthXS:b,captionXS:a,leftXS:a,rightXS:a,topXS:d,bottomXS:a,transformXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F13\u002Flg\u002F6.webp",alt:"Figures circle",words:a,height:b,top:a,bottom:a,right:a,left:d,absolute:a,captionClass:a,orderXS:e,hidden:a,widthXS:bM,captionXS:a,leftXS:a,rightXS:B,topXS:s,bottomXS:a,transformXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F13\u002Flg\u002F7.webp",alt:"Figures circle detail",words:a,height:aZ,top:bg,bottom:a,right:a,left:i,absolute:a,captionClass:ao,orderXS:q,hidden:a,widthXS:aG,captionXS:M,leftXS:bB,rightXS:a,topXS:d,bottomXS:a,transformXS:ch,captions:["Circle 300 ø cm, 2017"],text1:a,text2:a,text3:a},{src:"images\u002F13\u002Flg\u002F8.webp",alt:"Figures Horizontal, Vertical & Diagonal",words:a,height:b,top:a,bottom:a,right:a,left:o,absolute:a,captionClass:M,orderXS:h,hidden:a,widthXS:aK,captionXS:C,leftXS:c,rightXS:a,topXS:ac,bottomXS:a,transformXS:a,captions:["Horizontal 440cm Vertical 300cm Diagonal 460cm, 2017"],text1:a,text2:a,text3:a},{src:"images\u002F13\u002Flg\u002F9.webp",alt:"Figures Horizontal, Vertical & Diagonal detail",words:a,height:aZ,top:a,bottom:a,right:a,left:e,absolute:a,captionClass:a,orderXS:A,hidden:a,widthXS:Q,captionXS:a,leftXS:c,rightXS:s,topXS:ac,bottomXS:a,transformXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F13\u002Flg\u002F10.webp",alt:"Figures point",words:a,height:Y,top:aS,bottom:a,right:c,left:i,absolute:a,captionClass:ao,orderXS:d,hidden:a,widthXS:B,captionXS:"left-bottom-h  half-w",leftXS:bM,rightXS:a,topXS:n,bottomXS:a,transformXS:a,captions:["Point 27 ø cm, 2017"],text1:a,text2:a,text3:a}]},{id:t,title:bN,slug:"dark-cube",year:bc,status:a,type:a,quote:"Black and white photography mounted on dibond. Standard mortuary niche. \u003Cbr\u003EScale 1:1 \u003Cbr\u003ESize 71 x 84 cm\u003Cbr\u003E",description:a,relatedWorks:"18\u002F25\u002F15","":"Image of the work Dark Cube",mainImage:{styles:{col:"6 \u002F 12",row:bh,top:cN},stylesXS:{col:"3 \u002F 11",row:bh,top:h},src:"images\u002Fhome\u002Flg\u002F14.webp",alt:"Dark Cube, 2017",captionClass:p,captionClassXS:p},images:[{src:"images\u002F14\u002Flg\u002F1.webp",alt:bN,words:a,height:b,top:a,bottom:a,right:a,left:av,absolute:a,captionClass:a,orderXS:j,hidden:a,widthXS:$,captionXS:a,leftXS:c,rightXS:a,topXS:c,bottomXS:d,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F14\u002Flg\u002F2.webp",alt:bN,words:a,height:b,top:a,bottom:a,right:a,left:h,absolute:a,captionClass:a,orderXS:l,hidden:a,widthXS:b,captionXS:a,leftXS:a,rightXS:a,topXS:a,bottomXS:a,captions:[],text1:a,text2:a,text3:a}]},{id:w,title:"Tufting",slug:"tufting",year:bc,status:a,type:a,quote:"Machine- embroidered cloth. \u003Cbr\u003EMonotype.\u003Cbr\u003E128 x 95 cm\u003Cbr\u003E",description:"The Tufting series appear as a result of the research carried out in Unending Lightning.\u003Cbr\u003EIt is composed of embroidered fabrics that represent maps with black spots that show busy points of violence against civilian targets. They are cartographies in which only the names of the cities, that have been bombed from the air are embroidered in black.\u003Cbr\u003E",relatedWorks:"25\u002F14\u002F24\u002F1\u002F39\u002F45","":"Image of the work Tufting",mainImage:{styles:{col:cJ,row:bh,top:cN},stylesXS:{col:cK,row:bh,top:h},src:"images\u002Fhome\u002Flg\u002F15.webp",alt:"Tufting, 2017",captionClass:p,captionClassXS:p},images:[{src:"images\u002F15\u002Flg\u002F1.webp",alt:"Tufting exhibition view",words:a,height:b,top:a,bottom:a,right:a,left:a,absolute:a,absoluteXS:a,captionClass:aR,orderXS:l,hidden:a,widthXS:b,captionXS:a,leftXS:a,rightXS:a,topXS:a,bottomXS:a,captions:["Homosphere. Installation view Kunsthalle Mainz"],text1:a,text2:a,text3:a},{src:"images\u002F15\u002Flg\u002F2.webp",alt:cO,words:a,height:Z,top:ai,bottom:a,right:a,left:i,absolute:a,absoluteXS:a,captionClass:x,orderXS:j,hidden:a,widthXS:N,captionXS:x,leftXS:d,rightXS:d,topXS:g,bottomXS:a,captions:[cO],text1:a,text2:a,text3:a},{src:"images\u002F15\u002Flg\u002F3.webp",alt:cP,words:a,height:J,top:ai,bottom:a,right:a,left:d,absolute:a,absoluteXS:a,captionClass:x,orderXS:i,hidden:a,widthXS:W,captionXS:aa,leftXS:d,rightXS:G,topXS:V,bottomXS:a,captions:[cP],text1:a,text2:a,text3:a},{src:"images\u002F15\u002Flg\u002F4.webp",alt:"Detail:Vietnam 1975, 2017\u003Cbr\u003E",words:a,height:Z,top:a,bottom:a,right:a,left:h,absolute:a,absoluteXS:a,captionClass:a,orderXS:f,hidden:a,widthXS:u,captionXS:a,leftXS:d,rightXS:a,topXS:t,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F15\u002Flg\u002F5.webp",alt:cQ,words:a,height:O,top:ai,bottom:a,right:a,left:K,absolute:a,absoluteXS:a,captionClass:m,orderXS:e,hidden:a,widthXS:cy,captionXS:m,leftXS:i,rightXS:c,topXS:e,bottomXS:a,captions:[cQ],text1:a,text2:a,text3:a},{src:"images\u002F15\u002Flg\u002F6.webp",alt:cR,words:a,height:O,top:a,bottom:ai,right:k,left:cS,absolute:v,absoluteXS:_,captionClass:"left-bottom-h special-15-6",orderXS:c,hidden:a,widthXS:W,captionXS:ax,leftXS:J,rightXS:c,topXS:t,bottomXS:a,captions:[cR],text1:a,text2:a,text3:a},{src:"images\u002F15\u002Flg\u002F7.webp",alt:cT,words:a,height:br,top:ah,bottom:a,right:a,left:K,absolute:a,absoluteXS:a,captionClass:"top-left-h special-15-7",orderXS:q,hidden:a,widthXS:aF,captionXS:aR,leftXS:i,rightXS:J,topXS:d,bottomXS:a,captions:[cT],text1:a,text2:a,text3:a},{src:"images\u002F15\u002Flg\u002F8.webp",alt:"Detail:Afganistan 2021, 2017",words:a,height:Y,top:ah,bottom:a,right:a,left:n,absolute:a,absoluteXS:a,captionClass:a,orderXS:h,hidden:a,widthXS:Q,captionXS:a,leftXS:t,rightXS:a,topXS:g,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F15\u002Flg\u002F9.webp",alt:cU,words:a,height:$,top:A,bottom:a,right:a,left:f,absolute:a,absoluteXS:a,captionClass:x,orderXS:A,hidden:a,widthXS:W,captionXS:ax,leftXS:f,rightXS:c,topXS:g,bottomXS:a,captions:[cU],text1:a,text2:a,text3:a},{src:"images\u002F15\u002Flg\u002F10.webp",alt:cV,words:a,height:br,top:ah,bottom:a,right:a,left:w,absolute:a,absoluteXS:a,captionClass:"left-bottom-v special-15-10",orderXS:d,hidden:a,widthXS:u,captionXS:C,leftXS:c,rightXS:c,topXS:t,bottomXS:a,captions:[cV],text1:a,text2:a,text3:a},{src:"images\u002F15\u002Flg\u002F11.webp",alt:cW,words:a,height:O,top:ai,bottom:a,right:a,left:g,absolute:a,absoluteXS:a,captionClass:a,orderXS:K,hidden:a,widthXS:co,captionXS:a,leftXS:i,rightXS:a,topXS:d,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F15\u002Flg\u002F12.webp",alt:cX,words:a,height:O,top:a,bottom:ai,right:k,left:cS,absolute:v,absoluteXS:_,captionClass:"right-top-v special-15-11",orderXS:n,hidden:a,widthXS:ac,captionXS:m,leftXS:z,rightXS:c,topXS:ah,bottomXS:a,captions:[cX],text1:a,text2:a,text3:a},{src:"images\u002F15\u002Flg\u002F13.webp",alt:"Detail:Caribbean 1980’s, 2017",words:a,height:Y,top:ai,bottom:a,right:a,left:i,absolute:a,absoluteXS:a,captionClass:x,orderXS:s,hidden:a,widthXS:by,captionXS:x,leftXS:i,rightXS:j,topXS:d,bottomXS:a,captions:[cW],text1:a,text2:a,text3:a}]},{id:g,title:"Clock Wise",slug:"clock-wise",year:bO,status:a,type:ad,quote:"360 Clock mechanisms Diameter 20cm each unique piece",description:"Clockwise is a mechanical installation comprised of 360 clocks arranged in a 360 degrees arch mirroring the curve of the Earth.\u003Cbr\u003EEach clock represents one degree of the sphere that’s why each mechanism is four minutes ahead than the one preceding it. All of them compose a twenty four hour timespan.\u003Cbr\u003EThe synchronicity of the time experienced within the space hints at the flow modernity across the world.\u003Cbr\u003EThe 360 simultaneous tic tac sounds like the rain.\u003Cbr\u003E",relatedWorks:"5\u002F6\u002F1","":"Image of the work Clock Wise",mainImage:{styles:{col:cD,row:bi,top:"22vw"},stylesXS:{col:"11 \u002F 21",row:bi,top:B},src:"images\u002Fhome\u002Flg\u002F16.mov",alt:"Clock Wise, 2016",captionClass:C,captionClassXS:C},images:[{src:"images\u002F17\u002Flg\u002F1.webp",alt:"Clockwise exhibition view",words:a,height:b,top:a,bottom:a,right:a,left:av,absolute:a,captionClass:a,orderXS:l,hidden:a,widthXS:b,captionXS:a,leftXS:a,rightXS:a,topXS:a,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F17\u002Flg\u002F2.webp",alt:bP,words:a,height:bQ,top:a,bottom:a,right:a,left:I,absolute:a,captionClass:a,orderXS:j,hidden:a,widthXS:ay,captionXS:a,leftXS:c,rightXS:ae,topXS:d,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F17\u002Flg\u002F3.webp",alt:"Trading Trascendence, MUDAM Luxembourg, 2016 Curator Clément Minighetti",words:a,height:b,top:a,bottom:a,right:a,left:ay,absolute:a,captionClass:"left-bottom-h b-3",orderXS:i,hidden:a,widthXS:b,captionXS:x,leftXS:a,rightXS:a,topXS:Y,bottomXS:a,captions:["Trading Trascendence, MUDAM Luxembourg, 2016","Curator Clément Minighetti"],text1:a,text2:a,text3:a},{src:"images\u002F17\u002Flg\u002F4.webp",alt:"PROREGRESS 12 Shanghai Biennial, 2018 Curator Cuauhtémoc Medina",words:a,height:"111",top:a,bottom:a,right:a,left:aH,absolute:a,captionClass:"left-top-h t-3 a-r",orderXS:f,hidden:a,widthXS:a_,captionXS:m,leftXS:a,rightXS:Q,topXS:Y,bottomXS:a,captions:["PROREGRESS 12 Shanghai Biennial, 2018","Curator Cuauhtémoc Medina"],text1:a,text2:a,text3:a},{src:"images\u002F17\u002Flg\u002F5.webp",alt:"Inmortality 5th Ural Industrial Biennial, Ekaterinburg, 2019 Curator Xiaoyu Weng",words:a,height:"122",top:a,bottom:a,right:a,left:$,absolute:a,captionClass:"left-bottom-h special-16-5",orderXS:e,hidden:a,widthXS:u,captionXS:C,leftXS:d,rightXS:a,topXS:r,bottomXS:a,captions:["Inmortality 5th Ural Industrial Biennial, Ekaterinburg, 2019","Curator Xiaoyu Weng"],text1:a,text2:a,text3:a},{src:"images\u002F17\u002Flg\u002F6.webp",alt:bP,words:a,height:az,top:T,bottom:a,right:a,left:n,absolute:a,captionClass:a,orderXS:c,hidden:a,widthXS:L,captionXS:a,leftXS:aH,rightXS:Q,topXS:d,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F17\u002Flg\u002F7.webp",alt:bP,words:a,height:"120",top:"-7",bottom:a,right:j,left:g,absolute:a,captionClass:a,orderXS:q,hidden:a,widthXS:b,captionXS:a,leftXS:a,rightXS:a,topXS:X,bottomXS:a,captions:[],text1:a,text2:a,text3:a}]},{id:I,title:"Elemental Order",slug:"elemental-order",year:bO,status:a,type:ad,quote:"LED screen, software and internet connection. 480 x 192 x 6 cm",description:"The periodic table of chemical elements orders the substances that compose the physical world on the basis of their atomic weight. Elemental Order adds a factor to this classification: the valuation each element has on the world’s financial markets, which appears in real time. This piece transforms a physical reality into an economic reality subject to an equally inevitable law.",relatedWorks:"2\u002F8\u002F22\u002F20\u002F19\u002F21\u002F27","":"Image of the work Elemental Order",mainImage:{styles:{col:cx,row:bi,top:bA},stylesXS:{col:"23 \u002F 41",row:bi,top:B},src:"images\u002Fhome\u002Flg\u002F17.webp",alt:"Elemental Order, 2016",captionClass:p,captionClassXS:p},images:[{src:"images\u002F16\u002Flg\u002F1.webp",alt:"Elemental Order exhibition view",words:a,height:b,top:a,bottom:a,right:a,left:a,absolute:a,captionClass:a,orderXS:l,hidden:a,widthXS:b,captionXS:a,leftXS:a,rightXS:a,topXS:a,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F16\u002Flg\u002F2.webp",alt:"Detail:Elemental Order",words:a,height:b,top:a,bottom:a,right:j,left:e,absolute:a,captionClass:a,orderXS:j,hidden:a,widthXS:b,captionXS:a,leftXS:a,rightXS:a,topXS:c,bottomXS:a,captions:[],text1:a,text2:a,text3:a}]},{id:B,title:"dark Cube",slug:"monochromes",year:bO,status:a,type:ad,quote:"Ink printing on two superimposed methacrylates and on Dibond, with framed in carved and stained beech wood. 207 x 159,5 x 4,5 cm (x 10)",description:"This series of monochromatic paintings is based on colour theories starting\u003Cbr\u003Eby Goethe; who was the first author to give colour psychological attributes. After him, Kandinsky and the radical Russian Avant-Garde in general, the Bauhaus and the design industry immediately associated with branding and advertising. This is the contemporary nature of colour. Each piece is made up of multiple logos, ones that assault our vision every day in the street or on the internet. They are classified by colour, framing them in theories that seem to justify the choice. This is a journey back, where even the most mundane reality (including the calculated dimensions of the mass advertising media to make them stand out in the hustle and bustle of our times) makes subtle references to various abstract attempts developed in the history of art during the 20th century. At the same time, it becomes a new look at the codes of reading the aesthetic elements that surround us, ones we converse with on a daily basis.\u003Cbr\u003E",relatedWorks:"19\u002F12\u002F13\u002F10","":"Image of the work dark Cube",mainImage:{styles:{col:"9 \u002F 15",row:cY,top:"220px"},stylesXS:{col:"6 \u002F 16",row:cY,top:g},src:"images\u002Fhome\u002Flg\u002F18.webp",alt:"Monochromes, 2016",captionClass:aa,captionClassXS:"right-top-h mt10"},images:[{src:"images\u002F18\u002Flg\u002F1.webp",alt:cZ,words:a,height:b,top:a,bottom:a,right:a,left:a,absolute:a,captionClass:a,orderXS:l,hidden:a,widthXS:b,captionXS:a,leftXS:a,rightXS:a,topXS:a,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F18\u002Flg\u002F2.webp",alt:"Monochrome yellow",words:a,height:Z,top:t,bottom:a,right:a,left:$,absolute:a,captionClass:a,orderXS:c,hidden:a,widthXS:U,captionXS:a,leftXS:e,rightXS:e,topXS:R,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F18\u002Flg\u002F3.webp",alt:"Monochrome grey",words:a,height:Z,top:t,bottom:a,right:a,left:n,absolute:a,captionClass:a,orderXS:f,hidden:a,widthXS:U,captionXS:a,leftXS:e,rightXS:e,topXS:D,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F18\u002Flg\u002F4.webp",alt:"Monochrome blue",words:a,height:Z,top:t,bottom:a,right:a,left:n,absolute:a,captionClass:a,orderXS:e,hidden:a,widthXS:U,captionXS:a,leftXS:e,rightXS:e,topXS:R,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F18\u002Flg\u002F5.webp",alt:"Monochrome green",words:a,height:Z,top:t,bottom:a,right:a,left:n,absolute:a,captionClass:a,orderXS:q,hidden:a,widthXS:U,captionXS:a,leftXS:e,rightXS:e,topXS:R,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F18\u002Flg\u002F6.webp",alt:"Monochrome pink",words:a,height:Z,top:t,bottom:a,right:a,left:n,absolute:a,captionClass:a,orderXS:h,hidden:a,widthXS:U,captionXS:a,leftXS:e,rightXS:e,topXS:R,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F18\u002Flg\u002F7.webp",alt:"Monochrome purple",words:a,height:Z,top:t,bottom:a,right:a,left:n,absolute:a,captionClass:a,orderXS:A,hidden:a,widthXS:U,captionXS:a,leftXS:e,rightXS:e,topXS:R,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F18\u002Flg\u002F8.webp",alt:"Monochrome red",words:a,height:Z,top:t,bottom:a,right:a,left:n,absolute:a,captionClass:a,orderXS:d,hidden:a,widthXS:U,captionXS:a,leftXS:e,rightXS:e,topXS:R,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F18\u002Flg\u002F9.webp",alt:cZ,words:a,height:b,top:a,bottom:a,right:a,left:ae,absolute:a,captionClass:a,orderXS:j,hidden:a,widthXS:b,captionXS:a,leftXS:a,rightXS:a,topXS:a,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F18\u002Flg\u002F10.webp",alt:"Detail:Monochromes exhibition view",words:a,height:a,top:a,bottom:a,right:a,left:a,absolute:a,captionClass:a,orderXS:i,hidden:ap,widthXS:H,captionXS:a,leftXS:f,rightXS:D,topXS:a,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F18\u002Flg\u002F11.webp",alt:"Detail:Monochrome yellow",words:a,height:bQ,top:a,bottom:a,right:a,left:d,absolute:a,captionClass:a,orderXS:a,hidden:F,widthXS:a,captionXS:a,leftXS:a,rightXS:a,topXS:a,bottomXS:a,captions:[],text1:a,text2:a,text3:a}]},{id:V,title:"Philosophical Capitalism",slug:"philosophical-capitalism",year:"2014-2016\u002F2020",status:a,type:bD,quote:"Single-channel version, HD video,16:9, colour, sound. 1h 28’ 20’’.",description:"Consist of asking private companies how they defined certain concepts. These are questions essential to the human condition, now closely related to “the market”. They are philosophical concepts that underlie the products that some of these companies sell. In the course of the interview with the representative of each company, is interrogated by the “philosophical question”, that is: For the insurance company, ‘What is fear?’ For the law firm, ‘What is justice?’ For the plastic surgeon, ‘What is Beauty?’ For the pharmaceutical company, ‘What is pain?’ Etc. In Philosophical Capitalism we force the very companies that guide us in becoming consumerist to philosophize. It is imperative for us to think about them, and for them to make us think.",relatedWorks:"21\u002F18\u002F17\u002F13\u002F41\u002F38","":"Image of the work Philosophical Capitalism",mainImage:{styles:{col:"7 \u002F 24",row:bj,top:bk},stylesXS:{col:"3 \u002F 24",row:bj,top:q},src:"images\u002Fhome\u002Flg\u002F19.webp",alt:"Philosophical Capitalism, 2014 - 2016 \u002F 2020",captionClass:p,captionClassXS:"bottom-left-h "},images:[{src:"images\u002F20\u002Flg\u002F1.webp",alt:"Me, Family. MUDAM, Luxembourg. 2020\u002F2021 Curator Francesco Bonami",words:a,height:b,top:a,bottom:a,right:a,left:a,absolute:a,absoluteXS:a,captionClass:m,orderXS:l,hidden:a,widthXS:u,captionXS:m,leftXS:a,rightXS:d,topXS:a,bottomXS:a,captions:["Me, Family. MUDAM, Luxembourg. 2020\u002F2021","Curator Francesco Bonami"],text1:a,text2:a,text3:a},{src:"images\u002F20\u002Flg\u002F2.webp",alt:c_,words:a,height:H,top:a,bottom:a,right:a,left:O,absolute:a,absoluteXS:a,captionClass:C,orderXS:i,hidden:a,widthXS:E,captionXS:m,leftXS:G,rightXS:c,topXS:d,bottomXS:a,captions:[c_],text1:a,text2:a,text3:a},{src:"images\u002F20\u002Flg\u002F3.webp",alt:c$,words:a,height:H,top:a,bottom:k,right:k,left:a,absolute:v,absoluteXS:_,captionClass:"left-bottom-h special-20-3",orderXS:j,hidden:a,widthXS:E,captionXS:aa,leftXS:c,rightXS:G,topXS:c,bottomXS:a,captions:[c$],text1:a,text2:a,text3:a},{src:"images\u002F20\u002Flg\u002F4.webp",alt:da,words:a,height:H,top:a,bottom:a,right:a,left:I,absolute:a,absoluteXS:a,captionClass:"right-top-v t-5",orderXS:e,hidden:a,widthXS:u,captionXS:"left-top-h half-w",leftXS:c,rightXS:c,topXS:d,bottomXS:a,captions:[da],text1:a,text2:a,text3:a},{src:"images\u002F20\u002Flg\u002F5.webp",alt:db,words:a,height:S,top:a,bottom:ck,right:k,left:a,absolute:v,absoluteXS:_,captionClass:"right-bottom-h nowrap",orderXS:c,hidden:a,widthXS:W,captionXS:aa,leftXS:c,rightXS:J,topXS:e,bottomXS:a,captions:[db],text1:a,text2:a,text3:a},{src:"images\u002F20\u002Flg\u002F6.webp",alt:dc,words:a,height:b,top:a,bottom:a,right:a,left:y,absolute:a,absoluteXS:a,captionClass:C,orderXS:f,hidden:a,widthXS:aT,captionXS:C,leftXS:P,rightXS:c,topXS:h,bottomXS:a,captions:[dc],text1:a,text2:a,text3:a},{src:"images\u002F20\u002Flg\u002F7.webp",alt:dd,words:a,height:H,top:a,bottom:a,right:a,left:O,absolute:a,absoluteXS:at,captionClass:am,orderXS:h,hidden:a,widthXS:ac,captionXS:aw,leftXS:a,rightXS:r,topXS:s,bottomXS:a,captions:[dd],text1:a,text2:a,text3:a},{src:"images\u002F20\u002Flg\u002F8.webp",alt:de,words:a,height:H,top:a,bottom:k,right:k,left:a,absolute:v,absoluteXS:_,captionClass:"left-bottom-h special-20-8",orderXS:q,hidden:a,widthXS:O,captionXS:m,leftXS:aF,rightXS:c,topXS:g,bottomXS:a,captions:[de],text1:a,text2:a,text3:a},{src:"images\u002F20\u002Flg\u002F9.webp",alt:df,words:a,height:H,top:a,bottom:a,right:a,left:I,absolute:a,absoluteXS:a,captionClass:C,orderXS:A,hidden:a,widthXS:J,captionXS:m,leftXS:c,rightXS:W,topXS:d,bottomXS:a,captions:[df],text1:a,text2:a,text3:a},{src:"images\u002F20\u002Flg\u002F10.webp",alt:dg,words:a,height:H,top:a,bottom:k,right:k,left:a,absolute:v,absoluteXS:_,captionClass:"left-bottom-v special-20-10",orderXS:d,hidden:a,widthXS:aV,captionXS:am,leftXS:V,rightXS:c,topXS:t,bottomXS:a,captions:[dg],text1:a,text2:a,text3:a},{src:"images\u002F20\u002Flg\u002F11.webp",alt:dh,words:a,height:H,top:a,bottom:a,right:a,left:O,absolute:a,absoluteXS:a,captionClass:aw,orderXS:s,hidden:a,widthXS:D,captionXS:m,leftXS:V,rightXS:ay,topXS:o,bottomXS:a,captions:[dh],text1:a,text2:a,text3:a},{src:"images\u002F20\u002Flg\u002F12.webp",alt:di,words:a,height:H,top:a,bottom:k,right:k,left:a,absolute:v,absoluteXS:_,captionClass:"left-bottom-v v special-20-12",orderXS:K,hidden:a,widthXS:az,captionXS:aa,leftXS:a,rightXS:P,topXS:c,bottomXS:a,captions:[di],text1:a,text2:a,text3:a},{src:"images\u002F20\u002Flg\u002F13.webp",alt:dj,words:a,height:b,top:a,bottom:a,right:a,left:V,absolute:a,absoluteXS:a,captionClass:C,orderXS:n,hidden:a,widthXS:bM,captionXS:C,leftXS:B,rightXS:a,topXS:g,bottomXS:a,captions:[dj],text1:a,text2:a,text3:a},{src:"images\u002F20\u002Flg\u002F14.webp",alt:"Es capital. Matadero, Madrid. 2014 Curator Manuela Villa",words:a,height:b,top:a,bottom:a,right:e,left:V,absolute:a,absoluteXS:a,captionClass:aa,orderXS:t,hidden:a,widthXS:b,captionXS:aP,leftXS:a,rightXS:a,topXS:g,bottomXS:d,captions:["Es capital. Matadero, Madrid. 2014","Curator Manuela Villa"],text1:a,text2:a,text3:a}]},{id:o,title:bR,slug:"the-netherlands-gold",year:aL,status:a,type:a,quote:dk,description:dl,relatedWorks:"22\u002F17\u002F4\u002F21\u002F27","":"Image of the work The Treasure Chamber. Netherlands Gold",mainImage:{styles:{col:"25 \u002F 33",row:bj,top:bk},stylesXS:{col:"25 \u002F 34",row:bj,top:q},src:"images\u002Fhome\u002Flg\u002F20.webp",alt:"The Netherlands Gold, 2016",captionClass:bw,captionClassXS:"top half-w"},images:[{src:"images\u002F19\u002Flg\u002F1.webp",alt:bR,words:a,height:b,top:a,bottom:a,right:a,left:a,absolute:a,captionClass:a,orderXS:l,hidden:a,widthXS:b,captionXS:a,leftXS:a,rightXS:a,topXS:a,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F19\u002Flg\u002F2.webp",alt:bR,words:a,height:b,top:a,bottom:a,right:j,left:d,absolute:a,captionClass:a,orderXS:j,hidden:a,widthXS:dm,captionXS:a,leftXS:c,rightXS:V,topXS:c,bottomXS:d,captions:[],text1:a,text2:a,text3:a}]},{id:T,title:"Surplus Value",slug:"surplus-value",year:"2014-2016",status:a,type:bD,quote:"-Photocopies of Karl Marx’s manuscripts of Das Kapital vol.\u2028I, II and III. \u003Cbr\u003E- Auction market assessment of first editions of the book in several countries (29 x 19 cm)\u003Cbr\u003E-Color photographs (50x70cm) of Karl Marx’s personal copy of the first edition of Das Kapital vol.I\u003Cbr\u003E-A documentary video in three chapters, 21’\u003Cbr\u003E",description:"The video Surplus Value (21’) is a documentary narrated by Marien van der Heijden from the Amsterdam International Institute of Social History (IISH).\u003Cbr\u003EIt is divided into three chapters:\u2028The first chapter, called THE CREATION OF CAPITAL, explains the process by which Marx, with the help of Engels, wrote and published Das Kapital (vols I, II, and III). Historically, it covers the period from the beginning of Marx’s exile to London in 1850 to the death of Engels in 1895.\u2028The second chapter, THE LEGACY OF CAPITAL, tells the story of what happened to the precious manuscripts after\u2028the death of their authors. At the beginning of the chapter, the documents are held in the Archive of the German Social Democratic Party, but after an odyssey of historical events in 1946 they end up in the Amsterdam International Institute of Social History, where most of them remain.\u2028The third and last chapter, titled THE SURPLUS VALUE OF CAPITAL, recounts why these manuscripts continue to be valuable today: how much was paid for them in 1935 and how much auction houses ask for them today.\u003Cbr\u003E",relatedWorks:"19\u002F17\u002F22\u002F20\u002F27\u002F28","":"Image of the work Surplus Value",mainImage:{styles:{col:"22 \u002F 33",row:dn,top:do0},stylesXS:{col:"20 \u002F 34",row:dn,top:n},src:"images\u002Fhome\u002Flg\u002F21.webp",alt:"Surplus Value, 2014 - 2016",captionClass:m,captionClassXS:m},images:[{src:"images\u002F21\u002Flg\u002F1.webp",alt:"Surplus Value exhibition view",words:a,height:b,top:a,bottom:a,right:a,left:a,absolute:a,captionClass:a,orderXS:l,hidden:a,widthXS:b,captionXS:a,leftXS:a,rightXS:a,topXS:a,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F21\u002Flg\u002F2.webp",alt:bS,words:a,height:a_,top:d,bottom:a,right:a,left:o,absolute:a,captionClass:a,orderXS:j,hidden:a,widthXS:af,captionXS:a,leftXS:c,rightXS:r,topXS:c,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F21\u002Flg\u002F3.webp",alt:dp,words:a,height:b,top:a,bottom:a,right:a,left:f,absolute:a,captionClass:a,orderXS:i,hidden:a,widthXS:af,captionXS:a,leftXS:c,rightXS:r,topXS:q,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F21\u002Flg\u002F4.webp",alt:bS,words:a,height:r,top:y,bottom:a,right:a,left:G,absolute:a,captionClass:a,orderXS:f,hidden:a,widthXS:b,captionXS:a,leftXS:a,rightXS:a,topXS:Q,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F21\u002Flg\u002F5.webp",alt:bS,words:a,height:W,top:y,bottom:a,right:a,left:e,absolute:a,captionClass:a,orderXS:c,hidden:a,widthXS:al,captionXS:a,leftXS:R,rightXS:a,topXS:g,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F21\u002Flg\u002F6.webp",alt:dp,words:a,height:b,top:a,bottom:a,right:a,left:z,absolute:a,captionClass:a,orderXS:e,hidden:a,widthXS:b,captionXS:a,leftXS:a,rightXS:a,topXS:s,bottomXS:a,captions:[],text1:a,text2:a,text3:a}]},{id:Q,title:"The Treasure Chamber. Spanish Gold",slug:"the-treasure-chamber-perspective-i-ii",year:"2014",status:a,type:a,quote:dk,description:dl,relatedWorks:"20\u002F17\u002F4\u002F21\u002F27","":"Image of the work The Treasure Chamber. Spanish Gold",mainImage:{styles:{col:"2 \u002F 13",row:dq,top:aW},stylesXS:{col:"3 \u002F 17 ",row:dq,top:q},src:"images\u002Fhome\u002Flg\u002F22.webp",alt:"The Treasure Chamber. Perspective I & II, 2014",captionClass:p,captionClassXS:p},images:[{src:"images\u002F22\u002Flg\u002F1.webp",alt:bT,words:a,height:b,top:a,bottom:a,right:a,left:a,absolute:a,captionClass:M,orderXS:l,hidden:a,widthXS:b,captionXS:a,leftXS:a,rightXS:a,topXS:a,bottomXS:a,captions:["Patterns. General view, Museo Helga de Alvear, 2022","Curator José María Viñuela"],text1:a,text2:a,text3:a},{src:"images\u002F22\u002Flg\u002F2.webp",alt:dr,words:a,height:J,top:d,bottom:a,right:a,left:f,absolute:a,captionClass:a,orderXS:j,hidden:a,widthXS:N,captionXS:a,leftXS:d,rightXS:d,topXS:c,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F22\u002Flg\u002F3.webp",alt:bT,words:a,height:b,top:a,bottom:a,right:a,left:c,absolute:a,captionClass:a,orderXS:i,hidden:a,widthXS:N,captionXS:a,leftXS:d,rightXS:d,topXS:d,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F22\u002Flg\u002F4.webp",alt:bT,words:a,height:b,top:a,bottom:a,right:a,left:g,absolute:a,captionClass:a,orderXS:f,hidden:a,widthXS:N,captionXS:a,leftXS:d,rightXS:d,topXS:h,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F22\u002Flg\u002F5.webp",alt:dr,words:a,height:J,top:d,bottom:a,right:d,left:t,absolute:a,captionClass:a,orderXS:c,hidden:a,widthXS:y,captionXS:a,leftXS:d,rightXS:a,topXS:e,bottomXS:a,captions:[],text1:a,text2:a,text3:a}]},{id:X,title:"Airborn Dust",slug:"airborn-dust",year:bU,status:a,type:a,quote:"Video HD 4’44’’",description:a,relatedWorks:"25\u002F2\u002F24","":"Image of the work Airborn Dust",mainImage:{styles:{col:"1 \u002F 8",row:aC,top:bV},stylesXS:{col:bE,row:aC,top:B},src:"images\u002Fhome\u002Flg\u002F23.webp",alt:"Airborn Dust, 2013",captionClass:p,captionClassXS:p},images:[{src:"images\u002F24\u002Flg\u002F1.webp",alt:"Airborn Dust still",words:a,height:b,top:a,bottom:a,right:a,left:av,absolute:a,captionClass:a,orderXS:l,hidden:F,widthXS:b,captionXS:a,leftXS:a,rightXS:a,topXS:a,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F24\u002Flg\u002F2.mp4",alt:ds,words:a,height:b,top:a,bottom:a,right:d,left:w,absolute:a,captionClass:a,orderXS:j,hidden:F,widthXS:b,captionXS:a,leftXS:a,rightXS:a,topXS:a,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F24\u002Flg\u002F2-mobile.mp4",alt:ds,words:a,height:a,top:a,bottom:a,right:a,left:a,absolute:a,captionClass:a,orderXS:i,hidden:ap,widthXS:b,captionXS:a,leftXS:a,rightXS:a,topXS:a,bottomXS:a,captions:[],text1:a,text2:a,text3:a}]},{id:Y,title:"Piper Prometheus",slug:"piper-prometheus",year:bU,status:a,type:a,quote:"Video HD 4’5’’",description:"This is a video work which documents how a plane\u2028soars through the air carrying a message in the form of a sign. The message is: L = (1\u002F2) d v2 s CL. This formula, based on Daniel Bernoulli’s studies of fluids and Newton’s Third Law, measures the lift capacity of aircraft. As if Prometheus showing humankind the secret of the gods, our small plane (a Piper) reveals to us the mystery\u2028that can either make our dreams come true or turn them into catastrophes.",relatedWorks:"25\u002F23\u002F15\u002F6","":"Image of the work Piper Prometheus",mainImage:{styles:{col:"12 \u002F 17",row:aC,top:bV},stylesXS:{col:"11 \u002F 20",row:aC,top:B},src:"images\u002Fhome\u002Flg\u002F24.mp4",alt:"Piper Prometheus, 2013",captionClass:m,captionClassXS:m},images:[{src:"images\u002F23\u002Flg\u002F1.webp",alt:dt,words:a,height:b,top:a,bottom:a,right:a,left:a,absolute:a,captionClass:a,orderXS:l,hidden:a,widthXS:b,captionXS:a,leftXS:a,rightXS:a,topXS:a,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F23\u002Flg\u002F2.webp",alt:dt,words:a,height:a_,top:a,bottom:a,right:a,left:e,absolute:a,captionClass:a,orderXS:i,hidden:a,widthXS:aj,captionXS:a,leftXS:ah,rightXS:n,topXS:d,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F23\u002Flg\u002F3.webp",alt:du,words:a,height:b,top:a,bottom:a,right:a,left:s,absolute:a,captionClass:m,orderXS:j,hidden:a,widthXS:aj,captionXS:m,leftXS:ah,rightXS:n,topXS:e,bottomXS:a,captions:[du,dv],text1:a,text2:a,text3:a},{src:"images\u002F23\u002Flg\u002F4.webp",alt:dw,words:a,height:b,top:a,bottom:a,right:a,left:L,absolute:a,captionClass:ax,orderXS:f,hidden:a,widthXS:bH,captionXS:am,leftXS:c,rightXS:a,topXS:V,bottomXS:a,captions:[dw],text1:a,text2:a,text3:a}]},{id:z,title:"Unending Lightning",slug:"unending-lightning",year:aL,status:ak,type:a,quote:"3 Channels Video installation (6h 15’)",description:"Unending Lightning is a video-based map which includes an animation representing those bombings in which losses have occurred amongst the civilian population since the advent of aviation (the first civilian casualties of which there is a record took place in the year of 1912). The work contains programming which allows us to: add new bombings, fill in information on conflicts that have ended, correct information and add sources.",relatedWorks:"15\u002F24\u002F23\u002F16\u002F1\u002F39\u002F45\u002F37","":"Image of the work Unending Lightning",mainImage:{styles:{col:"20 \u002F 39",row:aC,top:bV},stylesXS:{col:"24 \u002F 41",row:aC,top:B},src:"images\u002Fhome\u002Flg\u002F25.webp",alt:"Unending Lightning, 2015--\u003E",captionClass:p,captionClassXS:p},images:[{src:"images\u002F25\u002Flg\u002F1.webp",alt:dx,words:a,height:b,top:a,bottom:a,right:a,left:a,absolute:a,captionClass:m,orderXS:l,hidden:a,widthXS:b,captionXS:x,leftXS:a,rightXS:a,topXS:a,bottomXS:h,captions:[dx,"Curator Sabine Maria Schmidt"],text1:a,text2:a,text3:a},{src:"images\u002F25\u002Flg\u002F2.webp",alt:dy,words:a,height:b,top:a,bottom:a,right:a,left:g,absolute:a,captionClass:M,orderXS:j,hidden:a,widthXS:N,captionXS:dz,leftXS:a,rightXS:o,topXS:d,bottomXS:a,captions:[dy,"Curator Aomi Okabe"],text1:a,text2:a,text3:a},{src:"images\u002F25\u002Flg\u002F3.webp",alt:"Exhibiton View.The Planetary Garden. Manifesta 12 Palermo, Casa del Mutilato. 2018",words:a,height:b,top:a,bottom:a,right:a,left:g,absolute:a,captionClass:m,orderXS:i,hidden:a,widthXS:b,captionXS:x,leftXS:a,rightXS:a,topXS:g,bottomXS:a,captions:["Exhibiton View.The Planetary Garden. Manifesta 12 Palermo, Casa del Mutilato. 2019",dv],text1:a,text2:a,text3:a},{src:"images\u002F25\u002Flg\u002F4.webp",alt:"Exhibtion View. Manchas en el Silencio. Sala Alcalá 31, Madrid. 2017",words:a,height:b,top:a,bottom:a,right:a,left:g,absolute:a,captionClass:M,orderXS:f,hidden:a,widthXS:aJ,captionXS:x,leftXS:a,rightXS:w,topXS:o,bottomXS:a,captions:["Exhibtion View. Manchas en el Silencio. Sala Alcalá 31, Madrid. 2018","Curator Gerardo Mosquera"],text1:a,text2:a,text3:a},{src:"images\u002F25\u002Flg\u002F5.webp",alt:bW,words:a,height:b,top:a,bottom:a,right:a,left:g,absolute:a,captionClass:a,orderXS:c,hidden:a,widthXS:bt,captionXS:a,leftXS:T,rightXS:w,topXS:o,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F25\u002Flg\u002F6.webp",alt:bW,words:a,height:al,top:R,bottom:a,right:a,left:r,absolute:a,captionClass:a,orderXS:e,hidden:a,widthXS:u,captionXS:a,leftXS:c,rightXS:c,topXS:t,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F25\u002Flg\u002F7.webp",alt:bW,words:a,height:O,top:R,bottom:a,right:a,left:q,absolute:a,captionClass:a,orderXS:q,hidden:a,widthXS:P,captionXS:a,leftXS:c,rightXS:a,topXS:e,bottomXS:a,captions:[],text1:a,text2:a,text3:a}]},{id:dA,title:"To The Wild",slug:"to-the-wild",year:dB,status:a,type:a,quote:"Video HD 16:9 (16’)",description:"In this work a young woman decides to undergo a legal process aimed at disintegrating her social relationships. The video’s temporal and visual code makes us think of a fable as it is impossible to escape civilization, yet it is so tempting...\u003Cbr\u003EThe erudite world we have built in the West seems to be characterised by a set of rules that influence people. The individual \u002F citizen becomes subjected to a political behavior he\u002Fshe can not escape. However, this brave young woman defies the system (or Nation-State), through her own mechanisms. What once was a common punishment for minor faults in Europe and its colonies, is now a safety valve. A key to return. An institutional process for the wild. This punishment has been applied from the Middle Ages to today.\u003Cbr\u003EIn Spain it was exclusively for women and it implied cutting their hair, covering their body with tar and then with feathers, taking the prisoner through the streets and sending her into exile by leaving her out of the city. It is known as tar and feather. In “Surveiller et punir” Foucault calls it torture, a way to purge the soul by inflicting pain as a form of redemption.\u003Cbr\u003EThe animal the young woman becomes when reversing the “redemption formulae” is finally free from civilization; goes to the Nature, establishes a relationship with it as if she was one of Friederich’s characters, she contemplates her new habitat. Happy end.\u003Cbr\u003E",relatedWorks:"8\u002F3\u002F6\u002F1","":"Image of the work To The Wild",mainImage:{styles:{col:"2 \u002F 17",row:aM,top:dC},stylesXS:{col:"5 \u002F 18",row:dD,top:o},src:"images\u002Fhome\u002Flg\u002F26.webp",alt:"To The Wild, 2011",captionClass:p,captionClassXS:p},images:[{src:"images\u002F26\u002Flg\u002F1.webp",alt:bX,words:a,height:b,top:a,bottom:a,right:a,left:a,absolute:a,captionClass:a,orderXS:l,hidden:a,widthXS:b,captionXS:a,leftXS:a,rightXS:a,topXS:a,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F26\u002Flg\u002F2.webp",alt:bX,words:a,height:b,top:a,bottom:a,right:a,left:o,absolute:a,captionClass:a,orderXS:i,hidden:a,widthXS:aD,captionXS:a,leftXS:c,rightXS:L,topXS:q,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F26\u002Flg\u002F3.webp",alt:bX,words:a,height:b,top:a,bottom:a,right:a,left:o,absolute:a,captionClass:a,orderXS:j,hidden:a,widthXS:u,captionXS:a,leftXS:c,rightXS:c,topXS:o,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F26\u002Flg\u002F4.webp",alt:dE,words:a,height:cz,top:a,bottom:a,right:i,left:$,absolute:a,captionClass:x,orderXS:f,hidden:a,widthXS:b,captionXS:x,leftXS:a,rightXS:a,topXS:Y,bottomXS:d,captions:[dE,"Curator Javier Martín-Jiménez"],text1:a,text2:a,text3:a}]},{id:bg,title:"Mountains",slug:"mountains",year:dB,status:a,type:"Color Photographs",quote:"Charcoal Marble Powder, Sand, Ashes, Cork, Sand, Salt, Stones and Clay. Lambda copy on RC paper glued under acrylic. 150 x 180 cm",description:"Landscape is made. It is a social reality. Ever since Neolithic times, man has altered his environment in order to survive, creating an order intimately linked to productivity. This fact has shaped the environment, determining the present day landscape with which we must live. This series of photographs is closely bound to the notion that mountains are shaped by productivity, that is, that they are “anthropised”. Their nature is an economic effect. There is no longer any sublime as there was for Nietzsche. Raw materials pile up in astonishing quantities. They are simply experienced as fellow travelers of “homo economicus”. In this series, however, “the mountain” appears accompanied by its regular inhabitant, a worker who —by his mere presence— provides us with a sense of scale and reveals the dimensions of the accumulated material. At the same time, as in Caspar Da- vid Friedrich, the figure of man in the solitude of the mountain provokes a certain state of reflection or world consciousness.",relatedWorks:"8\u002F17\u002F2","":"Image of the work Mountains",mainImage:{styles:{col:"25 \u002F 32",row:aM,top:dC},stylesXS:{col:"21 \u002F 28",row:dD,top:o},src:"images\u002Fhome\u002Flg\u002F27.webp",alt:"Mountains, 2011\u002F2012",captionClass:p,captionClassXS:aa},images:[{src:dF,alt:dG,words:a,height:b,top:bz,bottom:k,right:a,left:a,absolute:a,captionClass:dH,orderXS:l,hidden:F,widthXS:b,captionXS:a,leftXS:a,rightXS:a,topXS:k,bottomXS:a,captions:[dI],text1:a,text2:a,text3:a},{src:dF,alt:dG,words:a,height:b,top:bz,bottom:k,right:a,left:a,absolute:a,captionClass:dH,orderXS:j,hidden:ap,widthXS:b,captionXS:a,leftXS:a,rightXS:a,topXS:k,bottomXS:a,captions:[dI],text1:a,text2:a,text3:a},{src:"images\u002F27\u002F2.webp",alt:dJ,words:a,height:b,top:"10.2",bottom:k,right:a,left:j,absolute:a,captionClass:"right-bottom-v special-27 special-27-102",orderXS:i,hidden:a,widthXS:b,captionXS:a,leftXS:k,rightXS:a,topXS:T,bottomXS:a,captions:[dJ],text1:a,text2:a,text3:a},{src:"images\u002F27\u002F3.webp",alt:dK,words:a,height:b,top:"3.1",bottom:k,right:a,left:j,absolute:a,captionClass:"right-bottom-v special-27 special-27-31",orderXS:f,hidden:a,widthXS:b,captionXS:a,leftXS:k,rightXS:a,topXS:g,bottomXS:a,captions:[dK],text1:a,text2:a,text3:a},{src:"images\u002F27\u002F4.webp",alt:dL,words:a,height:b,top:dM,bottom:k,right:a,left:j,absolute:a,captionClass:dN,orderXS:c,hidden:a,widthXS:b,captionXS:a,leftXS:k,rightXS:a,topXS:r,bottomXS:a,captions:[dL],text1:a,text2:a,text3:a},{src:"images\u002F27\u002F5.webp",alt:dO,words:a,height:b,top:dM,bottom:k,right:a,left:j,absolute:a,captionClass:dN,orderXS:e,hidden:a,widthXS:b,captionXS:a,leftXS:k,rightXS:a,topXS:ah,bottomXS:a,captions:[dO],text1:a,text2:a,text3:a},{src:"images\u002F27\u002F6.webp",alt:dP,words:a,height:b,top:"17.4",bottom:k,right:a,left:j,absolute:a,captionClass:"right-bottom-v special-27 special-27-174",orderXS:q,hidden:a,widthXS:b,captionXS:a,leftXS:k,rightXS:a,topXS:bg,bottomXS:a,captions:[dP],text1:a,text2:a,text3:a},{src:"images\u002F27\u002F7.webp",alt:dQ,words:a,height:b,top:"3.5",bottom:k,right:a,left:j,absolute:a,captionClass:"right-bottom-v special-27 special-27-35",orderXS:h,hidden:a,widthXS:b,captionXS:a,leftXS:k,rightXS:a,topXS:w,bottomXS:a,captions:[dQ],text1:a,text2:a,text3:a},{src:"images\u002F27\u002F8.webp",alt:dR,words:a,height:b,top:q,bottom:k,right:a,left:j,absolute:a,captionClass:"right-bottom-v special-27 special-27-7",orderXS:A,hidden:a,widthXS:b,captionXS:a,leftXS:k,rightXS:a,topXS:"18.5",bottomXS:a,captions:[dR],text1:a,text2:a,text3:a}]},{id:R,title:"EUROPLEASURE INTERNATIONAL LTD. Touch And Go",slug:"touch-and-go",year:bY,status:a,type:a,quote:"Video HD 16:9 (13’49’’)",description:"This is a project created for the Liverpool Biennial, with the main role played by the city’s own local inhabitants (mainly now elderly labour union members) who were fated to watch the factories where they and their elders had worked shut down. All the strikes they held and all the stones they threw couldn’t prevent the process of offshoring this time. This collapse gave way to a post-industrial society in which the labour force has not come to rest in industry, but instead in the services sector. Then came the museums, art galleries, self- organised artists’ spaces and, of course, the Biennial, thereby completing an orchestrated process of gentrification. Now a days the old building became a hotel.",relatedWorks:"6\u002F19\u002F21\u002F44\u002F43","":"Image of the work EUROPLEASURE INTERNATIONAL LTD. Touch And Go",mainImage:{styles:{col:"1 \u002F 11",row:aN,top:be},stylesXS:{col:bE,row:aM,top:T},src:"images\u002Fhome\u002Flg\u002F28.webp",alt:"EUROPLEASURE INTERNATIONAL LTD. Touch And Go, 2010",captionClass:dS,captionClassXS:dS},images:[{src:"images\u002F28\u002Flg\u002F1.webp",alt:"Touch and go",words:a,height:b,top:a,bottom:a,right:a,left:a,absolute:a,captionClass:a,orderXS:l,hidden:a,widthXS:b,captionXS:a,leftXS:a,rightXS:a,topXS:a,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F28\u002Flg\u002F2.webp",alt:"Touch and go exhibition view",words:a,height:aE,top:a,bottom:a,right:a,left:h,absolute:a,captionClass:a,orderXS:j,hidden:a,widthXS:"79",captionXS:a,leftXS:c,rightXS:g,topXS:h,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F28\u002Flg\u002F3.webp",alt:bl,words:a,height:D,top:z,bottom:a,right:a,left:n,absolute:a,captionClass:a,orderXS:i,hidden:a,widthXS:r,captionXS:a,leftXS:ab,rightXS:g,topXS:c,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F28\u002Flg\u002F4.webp",alt:bl,words:a,height:D,top:z,bottom:a,right:a,left:q,absolute:a,captionClass:a,orderXS:f,hidden:a,widthXS:"86",captionXS:a,leftXS:n,rightXS:a,topXS:g,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F28\u002Flg\u002F5.webp",alt:bl,words:a,height:aE,top:z,bottom:a,right:a,left:n,absolute:a,captionClass:a,orderXS:c,hidden:a,widthXS:dm,captionXS:a,leftXS:n,rightXS:n,topXS:q,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F28\u002Flg\u002F6.webp",alt:bl,words:a,height:b,top:a,bottom:a,right:d,left:n,absolute:a,captionClass:a,orderXS:e,hidden:a,widthXS:b,captionXS:a,leftXS:a,rightXS:a,topXS:n,bottomXS:d,captions:[],text1:a,text2:a,text3:a}]},{id:ah,title:"Abstraction Licking",slug:"abstraction-licking",year:bU,status:a,type:a,quote:"Video 2D animation (6’ 34’’)",description:"Abstraction Licking is a composition 2D, based on Mondrian paintings. The abstraction in Mondrian ́s conception deals with the purity of the colours and the cartesian shapes but it is as well, very closed to the abstraction generated by the sexuality and the dancing that we can find on the Red Light district, pole dancing shows, discos...",relatedWorks:"11\u002F18\u002F13\u002F40","":"Image of the work Abstraction Licking",mainImage:{styles:{col:"15 \u002F 18",row:aN,top:be},stylesXS:{col:"21 \u002F 15",row:aM,top:T},src:"images\u002Fhome\u002Flg\u002F29.webp",alt:"Abstraction Licking, 2013",captionClass:m,captionClassXS:m},images:[{src:"images\u002F29\u002Flg\u002F1.webp",alt:bm,words:a,height:b,top:a,bottom:a,right:a,left:a,absolute:a,captionClass:a,orderXS:l,hidden:a,widthXS:u,captionXS:a,leftXS:k,rightXS:c,topXS:a,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F29\u002Flg\u002F2.webp",alt:bm,words:a,height:b,top:a,bottom:a,right:a,left:s,absolute:a,captionClass:a,orderXS:i,hidden:a,widthXS:b,captionXS:a,leftXS:a,rightXS:a,topXS:d,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F29\u002Flg\u002F3.webp",alt:bm,words:a,height:U,top:e,bottom:a,right:a,left:e,absolute:a,captionClass:a,orderXS:j,hidden:a,widthXS:W,captionXS:a,leftXS:y,rightXS:a,topXS:d,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F29\u002Flg\u002F4.webp",alt:bm,words:a,height:b,top:a,bottom:a,right:e,left:e,absolute:a,captionClass:a,orderXS:f,hidden:a,widthXS:J,captionXS:a,leftXS:c,rightXS:a,topXS:d,bottomXS:a,captions:[],text1:a,text2:a,text3:a}]},{id:r,title:"La liberté raisonée",slug:"la-libert-raison-e",year:dT,status:a,type:a,quote:"Video 4:3 (4’ 50’’) ",description:"Two significant facts can be inferred from Liberty Leading the People by Delacroix. The first is that liberty is an awkward virtue. Simone de Beauvoir said that “one person’s liberty consists of fighting for others’ liberty.” Because the word liberty is often associated with the word fight; it is an exercise and only exists when exercised. In Delacroix’s painting, we can also see a throng of armed men and just one half-naked woman running ahead of them. Realistically, nothing good awaits this young woman. The French Revolution did not provide women with dignity, but instead excluded them from the rights of man and the citizen. Women have been present throughout history as a representation of the republic, justice, liberty, wisdom, the arts...; of everything men denied them. So, the question is: what would happen if Delacroix’s painting were not allegorical, but instead realist, documentarian? If there were truly a bare-chested young woman running down the middle of the street, surrounded by armed men in what appears to be a nineteenth-century war?",relatedWorks:"33\u002F34\u002F36\u002F45\u002F37","":"Image of the work La liberté raisonée",mainImage:{styles:{col:"25 \u002F 39",row:aN,top:"18vw"},stylesXS:{col:"27 \u002F 40",row:aM,top:T},src:"images\u002Fhome\u002Flg\u002F30.webp",alt:"La liberté raisonée, 2009",captionClass:p,captionClassXS:p},images:[{src:"images\u002F30\u002Flg\u002F1.webp",alt:dU,words:a,height:b,top:a,bottom:a,right:a,left:a,absolute:a,captionClass:a,orderXS:j,hidden:a,widthXS:b,captionXS:a,leftXS:a,rightXS:a,topXS:a,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F30\u002Flg\u002F2.webp",alt:dU,words:a,height:b,top:a,bottom:a,right:a,left:n,absolute:a,captionClass:a,orderXS:l,hidden:a,widthXS:b,captionXS:a,leftXS:a,rightXS:a,topXS:a,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F30\u002Flg\u002F3.webp",alt:bZ,words:a,height:N,top:o,bottom:a,right:a,left:s,absolute:a,captionClass:a,orderXS:i,hidden:a,widthXS:af,captionXS:a,leftXS:c,rightXS:r,topXS:s,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F30\u002Flg\u002F4.webp",alt:bZ,words:a,height:W,top:o,bottom:a,right:a,left:h,absolute:a,captionClass:a,orderXS:f,hidden:a,widthXS:aJ,captionXS:a,leftXS:w,rightXS:a,topXS:g,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F30\u002Flg\u002F5.webp",alt:bZ,words:a,height:aE,top:a,bottom:a,right:i,left:h,absolute:a,captionClass:a,orderXS:c,hidden:a,widthXS:aH,captionXS:a,leftXS:w,rightXS:a,topXS:e,bottomXS:a,captions:[],text1:a,text2:a,text3:a}]},{id:dV,title:"Femenine & Masculine World",slug:"femenine-masculine-world",year:"2010-2016",status:a,type:a,quote:"2010 Masculine World\u003Cbr\u003EMobile Sculpture\u003Cbr\u003ESphere of fiberglass and steel base and engine\u003Cbr\u003EDimensions: 135 x 105 x 105\u003Cbr\u003E \u003Cbr\u003E2010 Femenine World\u003Cbr\u003EMobile Sculpture\u003Cbr\u003ESphere of fiberglass and steel base and engine\u003Cbr\u003EDimensions: 135 x 105 x 105",description:"In Masculine World and Feminine World (2010–16), two large globes made of fiberglass with a steel base and a built-in engine, show the way in which the countries of the world differ in giving popular or foul names to the male and female sexual organs and how they are morally relative. What might be a generally accepted term for the sexual organ in one culture, country or language can be embarrassing, taboo or even illegal in another. The two spheres of Masculine World and Feminine World globalise these differences and similarities and form a cartography of sexually\u2028foul language with borders that change with time. Sometimes the borders coincide with political borders, but they can also be of a linguistic or ethical nature, depending on the degree of political or social freedom in a country. Borders in the masculine and feminine worlds do not necessarily coincide, as the two globes indicate. Lucas’ main objective with this cartography is to reveal intimate or taboo information, hidden in the informal way that men and women intimately talk and think about their own or each others’ genitals in language that is generally not found in official dictionaries.",relatedWorks:"44\u002F36\u002F32\u002F40","":"Image of the work Femenine & Masculine World",mainImage:{styles:{col:"3 \u002F 10",row:bn,top:"-100px"},stylesXS:{col:"4 \u002F 11",row:aN,top:i},src:"images\u002Fhome\u002Flg\u002F31.webp",alt:"Femenine & Masculine World, 2010",captionClass:C,captionClassXS:"left-bottom-v fm"},images:[{src:"images\u002F31\u002Flg\u002F1.webp",alt:b_,words:a,height:b,top:a,bottom:a,right:a,left:a,absolute:a,captionClass:a,orderXS:l,hidden:a,widthXS:b,captionXS:a,leftXS:a,rightXS:a,topXS:a,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F31\u002Flg\u002F2.webp",alt:b_,words:a,height:aG,top:a,bottom:a,right:a,left:s,absolute:a,captionClass:a,orderXS:j,hidden:a,widthXS:al,captionXS:a,leftXS:c,rightXS:X,topXS:c,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F31\u002Flg\u002F3.webp",alt:dW,words:a,height:D,top:g,bottom:a,right:a,left:h,absolute:a,captionClass:x,orderXS:i,hidden:a,widthXS:L,captionXS:dz,leftXS:c,rightXS:aD,topXS:e,bottomXS:a,captions:[dW],text1:a,text2:a,text3:a},{src:"images\u002F31\u002Flg\u002F4.webp",alt:dX,words:a,height:D,top:g,bottom:a,right:a,left:d,absolute:a,captionClass:m,orderXS:c,hidden:a,widthXS:L,captionXS:"bottom-right-h full-w",leftXS:aD,rightXS:c,topXS:c,bottomXS:c,captions:[dX],text1:a,text2:a,text3:a},{src:"images\u002F31\u002Flg\u002F5.webp",alt:b_,words:a,height:cp,top:g,bottom:a,right:c,left:g,absolute:a,captionClass:a,orderXS:f,hidden:a,widthXS:u,captionXS:a,leftXS:c,rightXS:c,topXS:s,bottomXS:a,captions:[],text1:a,text2:a,text3:a}]},{id:ay,title:"Light Years",slug:"light-years",year:dT,status:ak,type:a,quote:"Light box (methacrylate, led lights and computer), 300 x 400 x 50 cm ",description:"Light Years is a black monolith that contains a light structure inside, hooked up to a counter and computer which make the lights in certain parts of a world map turn on. The lights (that can be turned off, as well) switch on with the passage of time, in accordance with the years when countries gained the right to vote: when the white men in the country were allowed to vote, the country lights up with a slow, blinking light. When white women could vote, too, the light blinks faster. Only when universal suffrage is achieved (with no distinctions based on race and\u002For religion) does the light stay on constantly.",relatedWorks:"25\u002F36\u002F31\u002F41\u002F43\u002F37","":"Image of the work Light Years",mainImage:{styles:{col:bL,row:bn,top:bA},stylesXS:{col:bL,row:aN,top:n},src:"images\u002Fhome\u002Flg\u002F32.gif",alt:"Light Years, 2009--\u003E",captionClass:p,captionClassXS:aB},images:[{src:"images\u002F32\u002Flg\u002F1-0.jpg",alt:dY,words:a,height:b,top:a,bottom:a,right:a,left:a,absolute:a,captionClass:a,orderXS:l,hidden:a,widthXS:b,captionXS:a,leftXS:a,rightXS:a,topXS:a,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F32\u002Flg\u002F2.webp",alt:dY,words:a,height:b,top:a,bottom:a,right:i,left:w,absolute:a,captionClass:a,orderXS:j,hidden:a,widthXS:ac,captionXS:a,leftXS:c,rightXS:a,topXS:c,bottomXS:c,captions:[],text1:a,text2:a,text3:a}]},{id:P,title:"You Can Walk Too",slug:"you-can-walk-too",year:"2006",status:a,type:a,quote:dZ,description:"Sir, a woman’s composing is like a dog’s walking on his hind legs. It is not done well, but you are surprised to find it done at all.” […]\u003Cbr\u003EA room of one´s own, Virginia Woolf\u003Cbr\u003EThe previous sentence is the entry line of Cristina Lucas’ video You can walk too (2006), it’s taken originally from Virginia Woolf’s A room of one’s own (1928) where the writer constructs a genealogy on how the aforesaid metaphor has been used throughout centuries by men to portray women in the arts. In the video, in a remote Spanish village, a group of housedogs suddenly start walking on their hind legs, they individually emancipate themselves from their female masters as they take off, leaving their ‘homes’ and joining together to finally forsake the village. By enacting a metaphor that has denigrated the roles of women in the minimal utterance of knowledge (artistic) production, the video humorously challenges sexism through the literal representation of its degrading language.\u003Cbr\u003E",relatedWorks:"30\u002F35\u002F32","":"Image of the work You Can Walk Too",mainImage:{styles:{col:"16 \u002F 21",row:b$,top:bk},stylesXS:{col:"18 \u002F 25",row:bn,top:t},src:"images\u002Fhome\u002Flg\u002F33.webp",alt:"You Can Walk Too, 2006",captionClass:p,captionClassXS:m},images:[{src:"images\u002F34\u002Flg\u002F1.webp",alt:"You can walk too exhibition view",words:a,height:b,top:a,bottom:a,right:a,left:a,absolute:a,captionClass:a,orderXS:l,hidden:a,widthXS:b,captionXS:a,leftXS:a,rightXS:a,topXS:a,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F34\u002Flg\u002F2.webp",alt:aq,words:a,height:S,top:z,bottom:a,right:a,left:I,absolute:a,captionClass:a,orderXS:j,hidden:a,widthXS:b,captionXS:a,leftXS:a,rightXS:a,topXS:c,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F34\u002Flg\u002F3.webp",alt:aq,words:a,height:S,top:z,bottom:a,right:a,left:f,absolute:a,captionClass:a,orderXS:a,hidden:F,widthXS:a,captionXS:a,leftXS:a,rightXS:a,topXS:a,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F34\u002Flg\u002F4.webp",alt:aq,words:a,height:aj,top:z,bottom:a,right:a,left:f,absolute:a,captionClass:a,orderXS:a,hidden:F,widthXS:a,captionXS:a,leftXS:a,rightXS:a,topXS:a,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F34\u002Flg\u002F5.webp",alt:aq,words:a,height:bQ,top:s,bottom:a,right:a,left:f,absolute:a,captionClass:a,orderXS:a,hidden:F,widthXS:a,captionXS:a,leftXS:a,rightXS:a,topXS:a,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F34\u002Flg\u002F6.webp",alt:aq,words:a,height:aj,top:z,bottom:a,right:a,left:f,absolute:a,captionClass:a,orderXS:a,hidden:F,widthXS:a,captionXS:a,leftXS:a,rightXS:a,topXS:a,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F34\u002Flg\u002F7.webp",alt:aq,words:a,height:aj,top:z,bottom:a,right:a,left:f,absolute:a,captionClass:a,orderXS:a,hidden:F,widthXS:a,captionXS:a,leftXS:a,rightXS:a,topXS:a,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F34\u002Flg\u002F8.webp",alt:aq,words:a,height:aG,top:I,bottom:at,right:d,left:f,absolute:a,captionClass:a,orderXS:a,hidden:F,widthXS:a,captionXS:a,leftXS:a,rightXS:a,topXS:a,bottomXS:a,captions:[],text1:a,text2:a,text3:a}]},{id:bB,title:"\u003Cspan\u003Eرشاعلا\u002F\u002Fרביד \u003Cspan\u003ETalk\u003Cspan\u003E\u003C\u002Fspan\u003E",slug:"talk",year:"2008",status:a,type:a,quote:"Video HD 16:9 (7´)",description:"“Talk” explores the roots of the myth of Creation and the figure of the artist that emerged in the Renaissance and somehow still remains in our iconic topics.\u003Cbr\u003EThe experience of the language is fundamental part of the experience of knowledge. Curiously religion and art are fundament on the impossibility of talking about the truth by common words.\u003Cbr\u003EThe artist is continuing the violent act of Michelangelo giving birth  by kicking the knee of the sculpture, and demanding the statue to talk...\u003Cbr\u003EThis time is a woman who is asking in beautifully brutal way to know the secrets only revealed to the men and by the men. First God spoke to Moses and later on gave Michelangelo almost the secrets of life or at least immortality, curiously by art.\u003Cbr\u003E",relatedWorks:"30\u002F35\u002F33\u002F32\u002F38\u002F40","":"Image of the work \u003Cspan\u003Eرشاعلا\u002F\u002Fרביד \u003Cspan\u003ETalk\u003Cspan\u003E\u003C\u002Fspan\u003E",mainImage:{styles:{col:"22 \u002F 27",row:b$,top:bk},stylesXS:{col:"11 \u002F 17",row:bn,top:t},src:"images\u002Fhome\u002Flg\u002F34.webp",alt:"2008,דיבר\u002F\u002Fرشاعلا\u002FTalk",captionClass:m,captionClassXS:aB},images:[{src:"images\u002F33\u002Flg\u002F1.webp",alt:d_,words:a,height:b,top:a,bottom:a,right:a,left:a,absolute:a,captionClass:a,orderXS:l,hidden:a,widthXS:b,captionXS:a,leftXS:a,rightXS:a,topXS:a,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F33\u002Flg\u002F2.webp",alt:d$,words:a,height:E,top:a,bottom:a,right:a,left:g,absolute:a,captionClass:a,orderXS:j,hidden:a,widthXS:al,captionXS:a,leftXS:c,rightXS:X,topXS:c,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F33\u002Flg\u002F3.webp",alt:d$,words:a,height:r,top:r,bottom:a,right:a,left:c,absolute:a,captionClass:a,orderXS:i,hidden:a,widthXS:b,captionXS:a,leftXS:a,rightXS:a,topXS:g,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F33\u002Flg\u002F4.webp",alt:"Talk making of",words:a,height:ac,top:r,bottom:a,right:a,left:c,absolute:a,captionClass:a,orderXS:e,hidden:a,widthXS:r,captionXS:a,leftXS:i,rightXS:a,topXS:g,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F33\u002Flg\u002F5.webp",alt:d_,words:a,height:ab,top:Y,bottom:a,right:a,left:S,absolute:a,captionClass:a,orderXS:f,hidden:a,widthXS:r,captionXS:a,leftXS:c,rightXS:af,topXS:h,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F33\u002Flg\u002F6.webp",alt:"“Talk” sculpture, 2008. Marble Dust 50 x 12 x 12cm",words:a,height:b,top:a,bottom:a,right:c,left:dV,absolute:a,captionClass:am,orderXS:c,hidden:a,widthXS:as,captionXS:"left-bottom-v half-h",leftXS:c,rightXS:a,topXS:g,bottomXS:a,captions:["“Talk” sculpture, 2019. Marble Dust 50 x 12 x 12cm"],text1:a,text2:a,text3:a}]},{id:G,title:"Rousseau & Sophie",slug:"rousseau-sophie",year:ca,status:a,type:a,quote:dZ,description:"Rousseau is such wonderful thinker, the father of the “social contract” and the education trade “Emil” but in his theories he included the misogyny. He explain why women needs to be slaves of men instead of been human been whit full rights. He theorizes this subjugated position at Emil book V in which Rousseau describes how Sophia should behave as a second-class citizen.\u003Cbr\u003EI made a video whit people (mostly women) interacting whit the public statue after telling about Rousseau ideas. They kicking the statue because “he was wrong” the performance it is not about to break o replace the statue but to kick it because his intellectual dullness.\u003Cbr\u003E",relatedWorks:"30\u002F32","":"Image of the work Rousseau & Sophie",mainImage:{styles:{col:"28 \u002F 33",row:ea,top:bx},stylesXS:{col:"24 \u002F 32",row:b$,top:K},src:"images\u002Fhome\u002Flg\u002F35.webp",alt:"Rousseau & Sophie, 2007",captionClass:p,captionClassXS:p},images:[{src:"images\u002F35\u002Flg\u002F1.webp",alt:eb,words:a,height:b,top:a,bottom:a,right:a,left:a,absolute:a,captionClass:m,orderXS:l,hidden:a,widthXS:b,captionXS:a,leftXS:a,rightXS:a,topXS:a,bottomXS:a,captions:[eb,"Curator Inti Guerrero"],text1:a,text2:a,text3:a},{src:"images\u002F35\u002Flg\u002F2.webp",alt:bo,words:a,height:b,top:a,bottom:a,right:a,left:d,absolute:a,captionClass:a,orderXS:j,hidden:a,widthXS:u,captionXS:a,leftXS:c,rightXS:c,topXS:i,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F35\u002Flg\u002F3.webp",alt:bo,words:a,height:E,top:a,bottom:a,right:a,left:B,absolute:a,captionClass:a,orderXS:i,hidden:a,widthXS:H,captionXS:a,leftXS:c,rightXS:aS,topXS:d,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F35\u002Flg\u002F4.webp",alt:bo,words:a,height:al,top:a,bottom:a,right:a,left:h,absolute:a,captionClass:a,orderXS:f,hidden:a,widthXS:b,captionXS:a,leftXS:a,rightXS:a,topXS:T,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F35\u002Flg\u002F5.webp",alt:bo,words:a,height:r,top:L,bottom:a,right:a,left:e,absolute:a,captionClass:a,orderXS:e,hidden:a,widthXS:aK,captionXS:a,leftXS:I,rightXS:a,topXS:w,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F35\u002Flg\u002F6.webp",alt:"Rousseau & Sophie exhibition view",words:a,height:aj,top:L,bottom:a,right:h,left:J,absolute:a,captionClass:a,orderXS:c,hidden:a,widthXS:Q,captionXS:a,leftXS:c,rightXS:a,topXS:w,bottomXS:a,captions:[],text1:a,text2:a,text3:a}]},{id:aH,title:"Pantone -500+2007",slug:"pantone",year:ca,status:a,type:a,quote:"Video 2D color animation, (41’)",description:"Political maps are updated every time there is a war which requires us to do so. Pantone brings together all of these changes from the year 500 BC to 2007. Every year lasts just one second. Each area of colour represents one state, and each change in colour or size indicates either a change of government or an invasion. Ultimately, they become stains across a white surface which grow gradually like a virus. There is a “noisy” version, as well: a performance in which several historians speak at the same time.",relatedWorks:"25\u002F44\u002F30\u002F32\u002F39\u002F45\u002F37","":"Image of the work Pantone -500+2007",mainImage:{styles:{col:"7 \u002F 21",row:"21 \u002F 22",top:do0},stylesXS:{col:"2 \u002F 22",row:ea,top:i},src:"images\u002Fhome\u002Flg\u002F36.webp",alt:"Pantone, 2007",captionClass:ax,captionClassXS:p},images:[{src:"images\u002F36\u002Flg\u002F1.webp",alt:bp,words:a,height:b,top:a,bottom:a,right:a,left:a,absolute:a,captionClass:a,orderXS:l,hidden:a,widthXS:b,captionXS:a,leftXS:a,rightXS:a,topXS:a,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F36\u002Flg\u002F2.webp",alt:bp,words:a,height:as,top:a,bottom:a,right:a,left:q,absolute:a,captionClass:a,orderXS:j,hidden:a,widthXS:aT,captionXS:a,leftXS:c,rightXS:P,topXS:d,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F36\u002Flg\u002F3.webp",alt:"Pantone exhibition view",words:a,height:b,top:a,bottom:a,right:a,left:q,absolute:a,captionClass:a,orderXS:i,hidden:a,widthXS:b,captionXS:a,leftXS:a,rightXS:a,topXS:t,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F36\u002Flg\u002F4.webp",alt:bp,words:a,height:aK,top:e,bottom:a,right:a,left:A,absolute:a,captionClass:a,orderXS:f,hidden:a,widthXS:S,captionXS:a,leftXS:a,rightXS:a,topXS:s,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F36\u002Flg\u002F5.webp",alt:bp,words:a,height:aK,top:e,bottom:a,right:a,left:e,absolute:a,captionClass:a,orderXS:c,hidden:a,widthXS:S,captionXS:a,leftXS:f,rightXS:a,topXS:s,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F36\u002Flg\u002F6.webp",alt:"Pantone performance registration",words:a,height:U,top:e,bottom:a,right:d,left:i,absolute:a,captionClass:a,orderXS:e,hidden:a,widthXS:S,captionXS:a,leftXS:c,rightXS:a,topXS:t,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F36\u002Flg\u002F7.mp3",alt:"Pantone performance audio",words:a,height:a,top:a,bottom:a,right:a,left:a,absolute:a,captionClass:a,orderXS:a,hidden:a,widthXS:a,captionXS:a,leftXS:a,rightXS:a,topXS:a,bottomXS:a,captions:[],text1:a,text2:a,text3:a}]},{id:aI,title:"Vexillology",slug:"vexillology",year:aL,status:a,type:"Photo Installation",quote:"210 color prints 18 x 24cm",description:"Vexillology is a young science which studies flags.\u003Cbr\u003EThe transformation of the age-old controversy between individual and society is exhibited in a strident manner, especially at sporting events. National identity is shown\u003Cbr\u003Eoff to such a degree that it feels disproportionate both aesthetically and emotionally. People dispossess themselves of their own identity and turn themselves into banners.\u003Cbr\u003E",relatedWorks:"18\u002F12\u002F11\u002F36","":a,mainImage:{styles:{col:a,row:a,top:a},stylesXS:{col:a,row:a,top:a},src:a,alt:a,captionClass:a,captionClassXS:a},images:[{src:"images\u002F37\u002Flg\u002F1.webp",alt:"Image: Statecraft exhibition view at National Museum of Contemporary Art Athens, 2022",words:a,height:b,top:a,bottom:a,right:a,left:a,absolute:a,absoluteXS:a,captionClass:aa,orderXS:l,hidden:a,widthXS:b,captionXS:a,leftXS:a,rightXS:a,topXS:a,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F37\u002Flg\u002F2.webp",alt:"Vexillology angolans",words:a,height:y,top:ab,bottom:a,right:a,left:q,absolute:a,absoluteXS:a,captionClass:a,orderXS:i,hidden:a,widthXS:as,captionXS:a,leftXS:P,rightXS:o,topXS:c,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F37\u002Flg\u002F3.webp",alt:"Vexillology cameroonians",words:a,height:y,top:ab,bottom:a,right:a,left:f,absolute:a,absoluteXS:a,captionClass:a,orderXS:j,hidden:a,widthXS:aE,captionXS:a,leftXS:c,rightXS:o,topXS:d,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F37\u002Flg\u002F4.webp",alt:"Vexillology algerians",words:a,height:y,top:f,bottom:a,right:a,left:f,absolute:a,absoluteXS:a,captionClass:a,orderXS:f,hidden:a,widthXS:u,captionXS:a,leftXS:c,rightXS:c,topXS:o,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F37\u002Flg\u002F5.webp",alt:"Vexillology dutch",words:a,height:y,top:f,bottom:a,right:a,left:f,absolute:a,absoluteXS:a,captionClass:a,orderXS:c,hidden:a,widthXS:aE,captionXS:a,leftXS:c,rightXS:o,topXS:o,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F37\u002Flg\u002F6.webp",alt:"Vexillology italians",words:a,height:y,top:ab,bottom:a,right:a,left:f,absolute:a,absoluteXS:a,captionClass:a,orderXS:q,hidden:a,widthXS:L,captionXS:a,leftXS:e,rightXS:c,topXS:B,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F37\u002Flg\u002F7.webp",alt:"Vexillology slovakians",words:a,height:y,top:f,bottom:a,right:a,left:f,absolute:a,absoluteXS:a,captionClass:a,orderXS:e,hidden:a,widthXS:L,captionXS:a,leftXS:c,rightXS:a,topXS:B,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F37\u002Flg\u002F8.webp",alt:"Vexillology spanish",words:a,height:y,top:ab,bottom:a,right:k,left:a,absolute:v,absoluteXS:_,captionClass:a,orderXS:A,hidden:a,widthXS:aD,captionXS:a,leftXS:L,rightXS:c,topXS:K,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F37\u002Flg\u002F9.webp",alt:"Vexillology swedes",words:a,height:y,top:ab,bottom:a,right:a,left:f,absolute:a,absoluteXS:a,captionClass:a,orderXS:h,hidden:a,widthXS:u,captionXS:a,leftXS:c,rightXS:c,topXS:n,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F37\u002Flg\u002F10.webp",alt:"Vexillology russian",words:a,height:y,top:h,bottom:a,right:a,left:f,absolute:a,absoluteXS:a,captionClass:a,orderXS:s,hidden:a,widthXS:D,captionXS:a,leftXS:c,rightXS:a,topXS:d,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F37\u002Flg\u002F11.webp",alt:"Vexillology indians",words:a,height:y,top:ab,bottom:a,right:k,left:a,absolute:v,absoluteXS:_,captionClass:a,orderXS:K,hidden:a,widthXS:u,captionXS:a,leftXS:c,rightXS:c,topXS:dA,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F37\u002Flg\u002F12.webp",alt:"Vexillology swiss",words:a,height:y,top:h,bottom:a,right:h,left:f,absolute:a,absoluteXS:a,captionClass:a,orderXS:d,hidden:a,widthXS:aD,captionXS:a,leftXS:L,rightXS:c,topXS:h,bottomXS:a,captions:[],text1:a,text2:a,text3:a}]},{id:O,title:ec,slug:"more-light",year:"2003",status:a,type:a,quote:ed,description:"More Light is a reflection on how art has used metaphorical representations to symbolise ecclesiastical power throughout history. A conversation in a confessional, recorded without the priest’s knowledge, establishes a dialogue between three confessors of different ages (beginning with the eldest and ending with the youngest) and contemporary artists’ relationship with the Catholic Church and ecclesiastical and religious art.",relatedWorks:"19\u002F39\u002F21","":a,mainImage:{styles:{col:a,row:a,top:a},stylesXS:{col:a,row:a,top:a},src:a,alt:a,captionClass:a,captionClassXS:a},images:[{src:"images\u002F38\u002Flg\u002F1.webp",alt:ec,words:a,height:b,top:a,bottom:a,right:a,left:a,absolute:a,captionClass:a,orderXS:l,hidden:a,widthXS:b,captionXS:a,leftXS:a,rightXS:a,topXS:a,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F38\u002Flg\u002F2.webp",alt:ee,words:a,height:cI,top:a,bottom:a,right:a,left:c,absolute:a,captionClass:a,orderXS:j,hidden:a,widthXS:aE,captionXS:a,leftXS:c,rightXS:o,topXS:d,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F38\u002Flg\u002F3.webp",alt:ee,words:a,height:Z,top:a,bottom:a,right:a,left:c,absolute:a,captionClass:a,orderXS:i,hidden:a,widthXS:W,captionXS:a,leftXS:c,rightXS:a,topXS:h,bottomXS:a,captions:[],text1:a,text2:a,text3:a}]},{id:aU,title:"soldados.com",slug:"soldados-com",year:ca,status:a,type:a,quote:ed,description:"In soldados.com, the artist phones the official information line at different Defence Offices around Spain to enquire about the implications of joining the professional army. The video is therefore a long and exhaustive job interview which aims to fill the gaps in the information that appears on recruitment leaflets. Answers are obtained, though sometimes with great difficulty, to simple questions such as: What are the psychological requirements for joining the professional army? What about foreign nationals who want to join up (only citizens of former colonies are eligible to join the Spanish Army)? Which international campaigns is Spain currently involved in? Life and accident insurance, etc.",relatedWorks:"25\u002F38\u002F20","":a,mainImage:{styles:{col:a,row:a,top:a},stylesXS:{col:a,row:a,top:a},src:a,alt:a,captionClass:a,captionClassXS:a},images:[{src:"images\u002F39\u002Flg\u002F1.webp",alt:cb,words:a,height:b,top:a,bottom:a,right:a,left:a,absolute:a,captionClass:a,orderXS:l,hidden:a,widthXS:b,captionXS:a,leftXS:a,rightXS:a,topXS:a,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F39\u002Flg\u002F2.webp",alt:cb,words:a,height:E,top:a,bottom:a,right:a,left:c,absolute:a,captionClass:a,orderXS:j,hidden:a,widthXS:u,captionXS:a,leftXS:c,rightXS:c,topXS:c,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F39\u002Flg\u002F3.webp",alt:cb,words:a,height:b,top:a,bottom:a,right:a,left:c,absolute:a,captionClass:a,orderXS:i,hidden:a,widthXS:r,captionXS:a,leftXS:c,rightXS:a,topXS:d,bottomXS:a,captions:[],text1:a,text2:a,text3:a}]},{id:J,title:"Nudes in the museum",slug:"nudes-in-the-museum",year:bY,status:a,type:a,quote:"Photo and Plexiglas 180 x 120 cm",description:"Without any kind of previous permission, my model gets naked in the museum exhibition space. The performer sets a silent dialogue with the naked people in the paintings. \u003Cbr\u003ESecurity of the museum comes and I continue taking pictures. I am mainly interested in the moment of our expulsion.\u003Cbr\u003EGUARD: You are not allowed to be naked in the museum. ARTIST: But look around you... Everyone here is naked! GUARD: But that is art.\u003Cbr\u003EARTIST: This too is art!\u003Cbr\u003EGUARD: You don’t have permission. You need a permit, or I’m calling the police (as the model gets dressed). ARTIST: Fine, then I’m leaving. I’ll come back another day with permission.\u003Cbr\u003E",relatedWorks:"30\u002F29\u002F33","":a,mainImage:{styles:{col:a,row:a,top:a},stylesXS:{col:a,row:a,top:a},src:a,alt:a,captionClass:a,captionClassXS:a},images:[{src:"images\u002F40\u002Flg\u002F1.webp",alt:"Kunsthistorisches Museum, Wien 2016",words:a,height:b,top:a,bottom:a,right:a,left:a,absolute:a,captionClass:aR,orderXS:l,hidden:a,widthXS:b,captionXS:aB,leftXS:a,rightXS:a,topXS:a,bottomXS:c,captions:["Kunsthistorisches Museum, Wien 2017"],text1:a,text2:a,text3:a},{src:"images\u002F40\u002Flg\u002F4.webp",alt:"Museo del Prado (Madrid) 2011",words:a,height:y,top:a,bottom:a,right:a,left:f,absolute:a,captionClass:ao,orderXS:j,hidden:a,widthXS:u,captionXS:m,leftXS:c,rightXS:c,topXS:c,bottomXS:a,captions:["Museo del Prado (Madrid) 2012"],text1:a,text2:a,text3:a},{src:"images\u002F40\u002Flg\u002F3.webp",alt:"Musee du Louvre (Paris) 2010",words:a,height:b,top:a,bottom:a,right:a,left:w,absolute:a,captionClass:m,orderXS:i,hidden:a,widthXS:aG,captionXS:am,leftXS:ah,rightXS:c,topXS:w,bottomXS:a,captions:["Musee du Louvre (Paris) 2011"],text1:a,text2:a,text3:a},{src:"images\u002F40\u002Flg\u002F5.webp",alt:"Museo de Arte Antiga (Lisbon) 2012",words:a,height:y,top:a,bottom:a,right:a,left:f,absolute:a,captionClass:ao,orderXS:f,hidden:a,widthXS:L,captionXS:"right-bottom-h half-w",leftXS:c,rightXS:aD,topXS:w,bottomXS:a,captions:["Museo de Arte Antiga (Lisbon) 2013"],text1:a,text2:a,text3:a},{src:"images\u002F40\u002Flg\u002F6.webp",alt:"Walker Art Gallery (Liverpool) 2010",words:a,height:b,top:a,bottom:a,right:i,left:f,absolute:a,captionClass:m,orderXS:c,hidden:a,widthXS:bH,captionXS:m,leftXS:a,rightXS:c,topXS:Q,bottomXS:a,captions:["Walker Art Gallery (Liverpool) 2011"],text1:a,text2:a,text3:a},{src:"images\u002F40\u002Flg\u002F2.webp",alt:"Kröller Müller (Otterloo) 2012",words:a,height:W,top:a,bottom:a,right:a,left:e,absolute:a,captionClass:aB,orderXS:at,hidden:a,widthXS:af,captionXS:am,leftXS:c,rightXS:a,topXS:d,bottomXS:a,captions:["Kröller Müller (Otterloo) 2013"],text1:a,text2:a,text3:a}]},{id:by,title:"Gestalt5",slug:"gestalt5",year:aL,status:a,type:"Video installation ",quote:"5 synchronized channels , 2015. (\u20287'28')",description:"The first movement of Beethoven's Fifth Symphony (Allegro con brio) performed by five conductors: Hugo Carrio, Albert Skuratov, Andrés Salado, Bruno Axel and Minhea Ignat.\u003Cbr\u003EThe front camera captures in detail the intervention of each conductor. After recording the different versions, they are forced in post-production to achieve the same duration and synchrony. Despite this submission, interpretations vary considerably.\u003Cbr\u003EThe video shows the different possibilities of interpretation of the brilliant score; as many as individuals. \u003Cbr\u003EThe freedom of interpretation, in rigor, is one of the bases of culture, of the aesthetic experience, of language and ultimately of the human condition.\u003Cbr\u003EFreedom rigor is one of the foundations of culture, the aesthetic experience, language and ultimately the human condition…\u003Cbr\u003E",relatedWorks:"36\u002F19","":a,mainImage:{styles:{col:a,row:a,top:a},stylesXS:{col:a,row:a,top:a},src:a,alt:a,captionClass:a,captionClassXS:a},images:[{src:"images\u002F41\u002Flg\u002F1.webp",alt:"Gestalt 5 installation view",words:a,height:b,top:a,bottom:a,right:a,left:av,absolute:a,captionClass:a,orderXS:l,hidden:a,widthXS:b,captionXS:a,leftXS:a,rightXS:a,topXS:a,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F41\u002Flg\u002F2.webp",alt:cc,words:a,height:b,top:a,bottom:a,right:a,left:f,absolute:a,captionClass:a,orderXS:j,hidden:a,widthXS:u,captionXS:a,leftXS:c,rightXS:c,topXS:c,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F41\u002Flg\u002F3.webp",alt:cc,words:a,height:b,top:a,bottom:a,right:a,left:f,absolute:a,captionClass:a,orderXS:i,hidden:a,widthXS:y,captionXS:a,leftXS:c,rightXS:D,topXS:P,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F41\u002Flg\u002F4.webp",alt:cc,words:a,height:D,top:D,bottom:a,right:i,left:B,absolute:a,captionClass:a,orderXS:f,hidden:a,widthXS:b,captionXS:a,leftXS:a,rightXS:a,topXS:A,bottomXS:a,captions:[],text1:a,text2:a,text3:a}]},{id:L,title:"Be Fit",slug:"be-fit",year:aL,status:a,type:"Exercise chart",quote:"Video animation and fitness instructor. 20’ ",description:"Audience participation was crucial in doing this work. It consisted of a series of physical exercises led by a sports instructor who introduced the exercises using a video in which one saw historical characters —politicians and performers— making “historical” gestures that the audience would then repeat. Due to the huge amount of information to which we are subjected, empathy becomes an ever more fleeting and complex exercise, perhaps just a formality.",relatedWorks:"10\u002F19","":a,mainImage:{styles:{col:a,row:a,top:a},stylesXS:{col:a,row:a,top:a},src:a,alt:a,captionClass:a,captionClassXS:a},images:[{src:"images\u002F42\u002Flg\u002F1.webp",alt:ef,words:a,height:b,top:a,bottom:a,right:a,left:a,absolute:a,captionClass:a,orderXS:l,hidden:a,widthXS:b,captionXS:a,leftXS:a,rightXS:a,topXS:a,bottomXS:a,captions:[ef],text1:a,text2:a,text3:a},{src:"images\u002F42\u002Flg\u002F2.webp",alt:cd,words:a,height:an,top:a,bottom:a,right:a,left:e,absolute:a,captionClass:a,orderXS:j,hidden:a,widthXS:N,captionXS:a,leftXS:c,rightXS:w,topXS:a,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F42\u002Flg\u002F3.webp",alt:cd,words:a,height:an,top:a,bottom:a,right:a,left:e,absolute:a,captionClass:a,orderXS:i,hidden:a,widthXS:y,captionXS:a,leftXS:J,rightXS:w,topXS:h,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F42\u002Flg\u002F4.webp",alt:cd,words:a,height:af,top:G,bottom:a,right:a,left:h,absolute:a,captionClass:a,orderXS:f,hidden:a,widthXS:b,captionXS:a,leftXS:a,rightXS:a,topXS:n,bottomXS:a,captions:[],text1:a,text2:a,text3:a}]},{id:ae,title:"The Eyes and Ehe Arm",slug:"the-eyes-and-the-arm",year:"2005",status:a,type:a,quote:"Digital Photo 110 x 147cm",description:"Documentary photographs of the disused Carabanchel Panoptic Prison.",relatedWorks:"19\u002F10\u002F29\u002F38","":a,mainImage:{styles:{col:a,row:a,top:a},stylesXS:{col:a,row:a,top:a},src:a,alt:a,captionClass:a,captionClassXS:a},images:[{src:"images\u002F43\u002Flg\u002F1.webp",alt:"The arm photo",words:a,height:b,top:a,bottom:a,right:a,left:a,absolute:a,captionClass:a,orderXS:l,hidden:a,widthXS:b,captionXS:a,leftXS:a,rightXS:a,topXS:a,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F43\u002Flg\u002F2.webp",alt:"The eyes photo",words:a,height:b,top:a,bottom:a,right:a,left:h,absolute:a,captionClass:a,orderXS:j,hidden:a,widthXS:u,captionXS:a,leftXS:c,rightXS:c,topXS:c,bottomXS:a,captions:[],text1:a,text2:a,text3:a}]},{id:$,title:eg,slug:"people-s-economic-world",year:bY,status:ak,type:a,quote:"Metal Acrylic on canvas 145 x 256cm",description:"In every country around the world, there is a commonly used synonym for money, a word understood by all which belongs to the popular classes, and does not conform to political or academic conventionalisms. In Spain, this word might be pasta (‘dough’). In Germany, it is Kohle (‘coal’) and in Portugal, massa. They tend to be terms which describe imprecise substances with a poorly defined shape and little value.",relatedWorks:"36\u002F4\u002F31\u002F22\u002F20","":a,mainImage:{styles:{col:a,row:a,top:a},stylesXS:{col:a,row:a,top:a},src:a,alt:a,captionClass:a,captionClassXS:a},images:[{src:"images\u002F44\u002Flg\u002F1.webp",alt:eg,words:a,height:b,top:a,bottom:a,right:a,left:a,absolute:a,captionClass:a,orderXS:l,hidden:a,widthXS:b,captionXS:a,leftXS:a,rightXS:a,topXS:a,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F44\u002Flg\u002F2.webp",alt:"Detail:People's Economic World",words:a,height:$,top:d,bottom:a,right:a,left:t,absolute:a,captionClass:a,orderXS:j,hidden:a,widthXS:b,captionXS:a,leftXS:a,rightXS:a,topXS:c,bottomXS:a,captions:[],text1:a,text2:a,text3:a}]},{id:y,title:"Waves",slug:"waves",year:bC,status:a,type:a,quote:"Video installation 32:9 (57’)",description:"Looking back to Cyprus is in fact vertiginous, their stories date back to the times of the gods, heroes and tyrants, It seems as if they still live there... Mediterranean enclave visited by Greeks, Phoenicians, Egyptians, Ottomans, Venetians, an endless trail of crusaders and now tourists.\u003Cbr\u003ECyprus collects those traces on its battlements, in its museums and archeological sites, they are part of its anatomy. The whole island and the Mediterranean sea are witnesses of countless battles.\u003Cbr\u003EOf these, the most contemporary open conflict between Greco-Cypriots and Turkish-Cypriots, fueled by the gas exploitation of territorial waters, seems to divide something with very deep roots.\u003Cbr\u003EEast and West permanently confronted; two opposite ways of life but with so much in common that it may be possible to find coincidences lines.\u2028\u003Cbr\u003EThe video performance that we developed on the island part of this approach. \u003Cbr\u003EOn the beach of Curio, on the southernmost side of the island and on the beach of Akdeniz, at its northern end, two Cypriot poets, Sofronis Sofroniou (Greek-Cypriot) and Tugce Tekhanli (Turkish-Cypriot), have the task of giving names to the waves of the sea.\u003Cbr\u003E",relatedWorks:"15\u002F25\u002F36\u002F11","":a,mainImage:{styles:{col:a,row:a,top:a},stylesXS:{col:a,row:a,top:a},src:a,alt:a,captionClass:a,captionClassXS:a},images:[{src:"images\u002F45\u002Flg\u002F1.webp",alt:a,words:a,height:b,top:a,bottom:a,right:a,left:a,absolute:a,absoluteXS:a,captionClass:a,orderXS:l,hidden:a,widthXS:b,captionXS:a,leftXS:a,rightXS:a,topXS:a,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F45\u002Flg\u002F2.webp",alt:a,words:a,height:r,top:a,bottom:a,right:a,left:c,absolute:a,absoluteXS:a,captionClass:a,orderXS:j,hidden:a,widthXS:b,captionXS:a,leftXS:a,rightXS:a,topXS:c,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F45\u002Flg\u002F3.webp",alt:a,words:a,height:r,top:G,bottom:a,right:k,left:a,absolute:v,absoluteXS:_,captionClass:a,orderXS:i,hidden:a,widthXS:b,captionXS:a,leftXS:a,rightXS:a,topXS:d,bottomXS:a,captions:[],text1:a,text2:a,text3:a},{src:"images\u002F45\u002Flg\u002F4.webp",alt:a,words:a,height:P,top:aT,bottom:a,right:k,left:a,absolute:v,absoluteXS:_,captionClass:a,orderXS:f,hidden:a,widthXS:u,captionXS:a,leftXS:c,rightXS:a,topXS:c,bottomXS:a,captions:[],text1:a,text2:a,text3:a}]}]},serverRendered:true,routePath:"\u002Fcv",config:{_app:{basePath:"\u002F",assetsPath:"\u002F_nuxt\u002F",cdnURL:ce}}}}("","100","5","10","6","4","16","8","3","2","0","1","right-top-v","13","20","bottom-left-h","7","30","12","14","90","TRUE","15","bottom","45","25","9","18","left-bottom-v","50","60","mobile","35","46","17","40","11","42","right-bottom-v","80","38","33","22","28","48","21","88","19","55","23","24","71","FALSE","44","right-top-h","54","70","Installation","43","65","SACER Group","29","1.5","58","--\u003E","72","left-top-v","52","top-left-h","desktop","You can walk too still","1 \u002F 2","47"," ","180 x 120cm","-100%","left-top-h","left-bottom-h","32","67","text-html","bottom-right-h","14 \u002F 15","53","75","57","66","36","37","85","56","2015","16 \u002F 17","17 \u002F 18","2021","top-right-h","180 x 220cm","right-bottom-h","49","62","39","76","30px","3 \u002F 4","4 \u002F 5","73","78","6 \u002F 7","alt1","The Big Puzzle AAIR workshop","2017","7 \u002F 8","140px","100 x 70 x 4’5 cm","27","8 \u002F 9","9 \u002F 10","11 \u002F 12","70px","Touch and go still","Abstraction Licking still","18 \u002F 19","Rousseau & Sophie still","Pantone performance view","carbon stone","69","-8","64","2.5","61 x 50cm","top","200px","41","-16","100px","34","2019","Video Installation","1 \u002F 10","bottom bold-p","The Big Puzzle exhibition view","95","The Big Puzzle Artica workshop","left-bottom-h b-20","Detail:Bichrome Red & Blue","31 \u002F 38","82","Dark Cube","2016","Detail:Clockwise exhibition view","61","The Treasure Chamber. Netherlands Gold","Detail:Surplus Value exhibition view","The Treasure Chamber exhibition view","2013","150px","Detail:Unending Lightning exhibition view","To The Wild still","2010","La liberté raisonée still","Femenine & Masculine World exhibition view","19 \u002F 20","2007","installation view soldados.com ","Gestalt5 still","Be Fit performance view",null,"220 x 180 cm","-9","rotate(90deg) translateY(-100%)","-28","81","-2","2020","Stardust, 2022","-20","51","84","Black Background","Under the Sea Wind (R.Carson), 2022 Triptic 600 x 240 cm","2022","Sculpture","2 \u002F 3","Present Continuous","230px","27 \u002F 39","92","77","The People That Is Missing exhibition view","The People That Is Missing video still","5 \u002F 6","4 \u002F 10","The Big Puzzle Belgium","The Big Puzzle France","The Big Puzzle Congo","The Big Puzzle Morocco","83","13 \u002F 20","13 \u002F 21","Red & Blue, 2017","Figures square detail","50px","Tufting Central Europe 1945, 2017","Vietnam 1975, 2017","Korea and Japan 1953, 2017","Scandinavia 1945, 2017","0.1","Middle East 2018, 2017","Afganistan 2021, 2017","Spain and Rif 1939, 2017","Caribbean 1980’s, 2017","The Balkans 2003, 2017","10 \u002F 11","Monochromes exhibition view","Beauty still 10’ 53’’","Art still 8’","Cityzen still 8’ 35’’","Death still 14’ 47’’","Justice multi-screen still 8’ 12’’","Pain still 8’","Life still 14’ 47’’","Space still 8’ 10’’","Fear still 9’ 40’’","Time still 8’ 39’’","Truth still 5’ 35’’","Multi-screen still","Lambda copy on RC paper.140 x 100cm (x6)","The gold reserve is essential in understanding the evolution of the economy. The gold standard disappeared from the Western world after the Bretton Woods Conference in 1944, at which time the International Monetary Fund (IMF) and the World Bank were established. From that moment on, the Economy has become an abstraction that grows increasingly complex with the passage of time. The ingots, tidily piled on shelves, represent a value that is too stable to have a central role in the accelerated stock market. Gold no longer produces fever, nor does it reflect the integrity of a country’s currency. The ingots now represent only their own value, and a structure in disuse. They have become a monument to themselves.","74","12 \u002F 13","120px","Surplus Value:Karl Marx Das Kapital","13 \u002F 14","The Treasure Chamber ","Airborn Dust video","Piper still","L = (1\u002F2) d v2 s CL Installation. Casa del Mutilato, Manifesta 12 Palermo. The Planetary Garden. 2018","Curators Ippolito Pestellini, Bregtje van der Haak, Andrés Jaque and Mirjam Varadinis","Lift, 2013, colour photograph, 70 x 100 cm","Exhibition View. Immobile Engine. Kunst Sammlungen Chemnitz, 2021","Exhibiton View. Metal Silence. UENOYES. Former Hakubutsukan-Dõbutsuen Station,Tokyo. 2019","bottom full-w","26","2011","240px","15 \u002F 16","Bajo La Superficie (miedos, monstruos, sombras). Conde Duque, Madrid. 2021","images\u002F27\u002F1.webp","Charcoal Mountain ","right-bottom-v special-27","Charcoal Mountain","Marble Powder Mountain","Ashes Mountain","Cork Mountain","20.8","right-bottom-v special-27 special-27-208","Sand Mountain","Salt Mountain","Stones Mountain","Clay Mountain","bottom-left-h tc","2009","La liberté raisonée exhibition view","31","Masculine Latin America, 2007-2015 Acrylic on canvas 190 x 170cm","Femenine Latin America, 2007-2015 Acrylic on canvas 190 x 170cm","Unending Lightning exhibition view","Video 16:9 (9´)","Talk still","Talk exhibition view","20 \u002F 21","Light Years 2009 exhibition view. CA2M ","More Light","Vídeo 4:3 (10 min)","More Light still","Performance view, Do Disturb! Festival. Palais de Tokio, 2015","People's Economic World"));